Happy Holidays Rotten Inkers! Tis the season for chestnuts roasting on an open fire and visions of raisins dancing in your head. That’s right, raisins..from California. Yes, I, Juliet will be your guide as we explore the 1980s sensations, The California Raisins and their journey from commercial mascots to masters of media and merchandise. I’m sure you’re wondering, other than figgy pudding, what’s the connection between raisins and the holidays? One of the best-loved appearances of the California Raisins just happens to be in William Vinton’s Claymation Christmas Special, which we’ll talk about more in depth in just a bit. Growing up, I was a huge fan of the special and of the California Raisins Show, the Saturday morning cartoon based on America’s favorite dried grapes, and I continue to have a formidable collection of California Raisins figures. So come along with me as we travel to Raisinville and learn all about the California Raisins, including the Blackthorne 3-D comics based on them.
As legend has it, in 1986, the California Raisin Advisory Board was trying to come up with an idea for a commercial when one of the writers, Seth Werner, said, “We have tried everything but dancing raisins singing ‘I Heard It Through the Grapevine'” and thus the Raisins were born. Well, they were born through the claymation work of William Vinton and his Vinton Studios. The four main Raisins commercials were: Lunchbox, which featured the Raisins dancing out of a construction worker’s lunchbox on a high rise. The Late Show featured the Raisins dancing past other, less healthy snacks on a side table while a late night talk show played. Raisin Ray featured the Raisins alongside a claymation Ray Charles, and Michael Raisin featured them with, yes, a claymation Michael Jackson.
In 1987, the Raisins appeared in something very near and dear to my heart growing up, William Vinton’s Claymation Christmas special. It hosted by Rex and Herb, two dinosaurs resembling Siskel and Ebert, who actually give some great historic context for the well known holiday carols featured in the program. The songs were done as super elaborate (and time-consuming to create) claymation-style skits, some of which were created in such a way to appear fluid, almost paint-like instead of looking like stop-motion. The songs featured were: We Three Kings, which starts fairly traditionally but get groovy thanks to singing camels, a comedic Carol of the Bells, O Christmas Tree which takes us into ornaments, Angels We Have Heard On High, which features two walruses ice skating in what feels like a subtle nod to the Fantastia Hippo Ballerinas. Joy To the World is a stunning collage of constant motion that celebrates African American culture. Rudolph the Red Nose Reindeer is performed by the California Raisins, putting a little magic into the air after a Christmas eve gig (ala, as the Raisins often were, the Temptations). The hosts get their own story about wassailing, which is mistaken for waffling, waddling, wallowing, etc. This one, upon rewatch, puzzled me a bit. Are the actual wassailers at the end elves or leprechauns? When I was young I thought they were elves, but have they been leprechauns, or perhaps drunken locals the whole time? Weigh in, dear readers. The half hour Claymation Christmas Special debuted on CBS alongside the Garfield Christmas Special and the pair often ran together during the holiday season. I had one night’s CBS holiday lineup (that included Micky’s Christmas Carol, the Claymation-Garfield pairing and A Charlie Brown Christmas) taped on TV on VHS that was yearly, mandatory holiday viewing even after many of these were dropped from regular rotation.
In 1988, the Raisins became fully fleshed out characters in their CBS special Meet the Raisins. This rockumentary mockumentary (think Spinal Tap, but with vegetables and suitable for small children) was produced by Vinton Studios and won an Emmy nomination. It actually wasn’t until this point that the Raisins got their names: A.C., Red, Stretch, and Beebop. The special also featured supporting characters such as Rudy Bagaman, the Raisins’ manager, who would go on to be one of the leading characters in the 1989 California Raisins cartoon, The California Raisins Show. That cartoon had a 13 episode run between September and December – kind of a shocker as my younger self seemed convinced that it lasted much longer. Instead of claymation, this show featured traditional cel animation from Murakami-Wolf-Swenson, but William Vinton served as creative director and executive producer so it definitely kept with his vision of the Raisins’ story. Many of the fruit and vegetable characters that were introduced in Meet the Raisins were prominent supporting characters in the cartoon, and many characters that were created for the cartoon (including my absolute favorite Lick Broccoli) then made appearances in the 1990 claymation special The Raisins: Sold Out!: The California Raisins II, which, furthering the Spinal Tap metaphor, saw had the Raisins attempting to mount a comeback with a new manager. This would be the last TV show/special for the Raisins, and they wouldn’t have much of a TV presence for many years to follow.
During their short run, the California Raisins got a lot of merchandise created in their wrinkly image, and many of it has ended up in the Smithsonian permanent collection. Perhaps the most ubiquitous were the Raisins figurines that came out in assorted series from Hardee’s between 1987 and 1991, and were also stellar garage sale finds. I’ve been able to piece together a sizable collection of little guys, some of which I’ve had since the late 80s. In addition to the figure, there were Raisins t-shirts, Halloween costumes, lunch boxes, posters, coloring books, music albums, and a Capcom video game that was created but never officially released – though luckily it has made its way into the world via the homebrew game market. You can also check out a good representation of the California Raisins commercials, Meet the Raisins, The Raisins: Sold Out, and the entire run of the California Raisins Show on a two-DVD set called appropriately enough, The California Raisins Collection.
In 1987, as part of their series of 3D comics based on licensed properties, Blackthorne began a five issue run of comics based on the California Raisins, and these books are the subject of today’s comic reviews. I heard it through the grapevine that here on Rotten Ink, we grade these on a star scale of 1 to 4 and are looking for how well the comic stays to the source material, its entertainment value and its art and story. So let’s take the boat to Raisinville and get to know our new favorite band, the California Raisins!
The California Raisins 3-D # 1 *** 1/2
Released in 1987 Cover Price $2.50 Blackthorne Publishing # 1 of 5
Under the cover of night, the Raisinville Chamber Orchestra is kidnapped and loaded onto a boat by masked bandits. The next morning, two young Raisins happen upon a flyer looking for musicians to play the mayoral election. As they head into town, they pick up another Raisin as a hitchiker and find their fourth and fifth potential bandmates playing a whistle on the street. As suspicious advertisements for Snax pop up around town, the new bandmates visit the music store to pick up some instruments, but find that the beloved owner has mysteriously retired, all the instruments are gone, and the store is now home to a surly French Fry Man selling Snax. The Raisins move on to the Chamber Orchestra’s headquarters where they and other raisins queue up for auditions, but something’s fishy as raisins are going in, but no one is coming out. The Raisins catch site of a group of Sugar Cubes up to no good and rush to city hall to warn the mayor. The mayor, however, is nonplussed. He’s worried that his opponent in the election, Big Burger, is trying to run him out of town, but he stops mid-thought upon chomping down on some Snax. This is when the Raisins realize that there’s something amiss; the Snax are turning their fellow raisins into zombies and the only cure is music. So they commandeer Big Burger’s campaign vehicle, which is equipped with a loudspeaker and do their thing. Mayor Van Raisin is re-elected and Big Burger and his Snax are run out of town.
This was such a fun read! It threw me at first because the Raisins (the main ones that is) don’t use their names at all in this book, but that’s because this came out before they had names. That said, all of the hallmarks of the developing California Raisins world were present: the power of music, junk food more often than not being portrayed as the villains of the story, and the delightful little details like the picture on the wall of a bottle of wine labeled Uncle Vino. The artwork was really well done by an unnamed artist, especially considering that the majority of the characters were raisins and you could still distinguish who was who. I liked the 3D effect, though quite honestly, I would enjoy this comic entirely on its own merit so it wasn’t necessarily a selling point for me (in fact, I had a harder time reading it, not because the 3D was poorly done, but just because my eyes have trouble focusing with old school red and blue 3D glasses). This five issue run is off to a strong start, so let’s see how the rest go.
The California Raisins 3-D # 2 ***
Released in 1988 Cover Price $2.50 Blackthorne Publishing # 2 of 5
In a prologue, Big Burger looks at Raisinville from afar and vows that the town will be his as his junk food henchmen bring a display of the Raisins, Big Burger’s new sworn enemies. But never fear, our villain has a plan….we cut to the Raisins receiving an invitation to receive their complementary mansion earned by virtue of being the official Raisinville band. The Raisins are, of course, excited to reap the benefits of their newfound and begin exploring the mansion and discovering its various perks and quirks including some trap doors. Three Raisins are captured by the ever bickering Cookie and Candy, and the other two narrowly escape multiple traps looking for their friends. The fourth Raisin gets captured, but the last is able to discover the evil plot against them and devises a plan. Using the house’s recording gear and sound system, he minimicks Big Burger’s radio and lures Cookie and Candy away so he can free his bandmates. Together, they roll Cookie, Candy and some Sugar Cubes into a carpet and dump them into the water. When they float back to Big Burger, acknowledges that the Raisins may be more formidable foes than he anticipated, but the next round is his.
This is another solid comic that capture everything charming about the California Raisins. Interestingly, the Raisins’ mansion in this one does remind me of their house in the California Raisins Show (the cartoon), and an episode where Lick Broccoli’s manager bugs the Raisins’ home to steal the Sweet Currants’ new song. But this remains firmly in the pre-Meet the Raisins realm of issue #1: no names for the Raisins. It does, however, establish Big Burger as our main villain and brings back his henchman for more hijinks. I like the continuity, but I do hope that we get to see food characters in the next issue for the sheer fact that I like to check out the different character designs. The art is once again solid, and it’s easy to figure out who’s who among the Raisins. Onward to Issue 3!
The California Raisins 3-D # 3 **1/2
Released in 1988 Cover Price $2.50 Blackthorne Publishing # 3 of 5
This issue feature two stories. In the first, Waisin Wipeout, the Raisins are lounging at their mansion when they get a call to come down to the beach to film a surfing music video. It’s there that they’re introduced to famous fim director Steven Spielbug, his frog assistant, surfing expert Gnarly Cobb and beach babe Cher Pear, who turns out to be a Valley Pear. While the Raisins surf for the camera, Big Burger and his henchmen (decked out, of course, in pirate hats!) lurk below the water in their submarine base. They use their device to create a tidal wave, knocking the Raisins off their boards and ruining the shot. But Raisins don’t let a little water defeat them. They get back on their boards and surf so well they create a whirlpool that knocks out Big Burger’s submarine…and looks super cool in the music video.
Story number two is X Marks the Spot. While out on a picnic, the Raisins find a map, which they assume will lead them to the treasure of Blueberry the Pirate. Of course x marks the spot right under where they were picniccing so the Raisins start digging, and find nothing. They then realize that they were digging in the wrong spot, and after several repeated instances of this, begin fighting amongst themselves. This results in tears until one Raisins realizes that the seemingly shifting x on the map was shifting because it was actually a spider.
While I didn’t hate this issue by any means, this is definitely the weakest of the first three issues. First of all, why two stories? Especially when the second story, for me, was pretty weak. The first story was good, but messed with a few of the things that I love about the Raisins in general and that the first two issues honored: why are the filmmakers bugs and not food characters? Also while I get that Cher Pear is supposed to the typical valley girl/beach bimbo, it took me entirely too long to realize that she was a pear because she was drawn entirely too human. These are minor complaints in the grand scheme of things as the art is still great, but for me, the fun comes from the food characters. It’s a formula that works so why mess with it? Speaking of messing with things, it looks like the next issue is going to deviate again by being an adaptation of Meet the Raisins. So let’s take a deep breath and dive in.
The California Raisins 3-D # 4 ***
Released in 1988 Cover Price $2.50 Blackthorne Publishing # 4 of 5
The Raisins (there are four of them now) are excited because their show is getting ready to come on. We go into the TV documentary where our host tells the humble origin stories of A.C., BeeBop, and Red (names!) as they formed their first band with bass singer Zoot, who introduced them to his eventual replacement, Stretch. From there we see the Raisins’ slow rise to fame with the help of their young manager Rudy Bagaman. From impressing Ed McMelon and being literal smash sensations to rebuilding their shattered careers by working with quirky director Frederico Rasperini and playing a series of concerts in the arctic. Their eventual, triumphant return comes when Rudy Bagaman nearly crashes a plane, providing an amazing introduction to the band. The documentary concludes there, and the Raisins are pleased with what they saw.
Admittedly, I’m a little torn about this one. I would have preferred an original story as opposed to a straight adaptation of Meet the Raisins, but this was extremely well done and captured the charm of the TV special so I can’t be too mad. As I’m sure you noticed above, the Raisins now have their names, and they’ve gone from being a band of five to a quartet with a completely different back story. I wonder if these Raisins are the next generation of California Raisins, or is there some sad fifth Raisin out there in the word waiting to write his tell-all book about how his band abandoned him. The artwork in this one is the same as the rest of the comics so far: really great! Needing to be able to distinguish the Raisins from each other isn’t as big a deal though, because along with their names come new, more distinct character designs. The cover features our newly revamped Raisins rocking out on the stage. I wonder if the next issue will be an original story or another adaptation (though the next special wasn’t for a few years). Might as well take a look and see….
The California Raisins 3-D # 5 **1/2
Released in 1988 Cover Price $2.50 Blackthorne Publishing # 5 of 5
Back to multiple stories so: In the Music Mash, the Raisins (there are still four of them, but they’re not the same four from the last issue) are in the studio preparing for a gig and arguing over a new song. They decide to visit their friend Gigo who’s created a new machine that can create hit songs on the spot. Everything is going well, and they bring the device to a gig with them, but when a workman leaves his toolbox too close, the machine malfunctions creating chaos onstage. In the end, the Raisins realize it’s best to go back to basics and sing one of their classics.
In California Battle of the Bands, the Dough Buys and Richter are headed to the semifinals, and the Raisins (all FIVE of them) are late to their recording session. When they arrive, an oddly cartoony Rudy introduces them to three Lady Raisins who are their new backup singers. Back at the battle of the bands, Cookie, and Candy French Fry are sabotaging the competition for their boss, Big Burger. They plan an earthquake device and play a few more pranks on the Raisins when they show up to play. When the Raisins discover the mischief, they interrupt Ratchet’s set to warn them about the earthquake device, and the two bands work together to defeat the bad guys. They celebrate their victory with a concert all together.
I have SO MANY questions. Are there multiple bands performing as the California Raisins? This kind of follows my theory from last issue, and we do learn that there’s a whole Raisinville from which these bands could have been formed. This is all to say that these Raisins are different, unnamed Raisins than the ones we saw last issue. And then there’s the numbers issue. Was Fifth Raisin on vacation for the last story and a half? Also, what is Gigo? He’s not a discernible fruit or vegetable? Is he an alien? That said, there are so many things right about this, like Shrapnel, one of the battle bands that are clearly an homage to Guns N Roses. It was also amazing to see Shirelle, Dixie and Crystal, aka the Sweet Currants, in this issue even though they, like the Raisins this time around, weren’t called by name. I’m also glad we got one more chance to see Big Burger try to thwart the Raisins and thus conquer Raisinville. The art was great, but the latter story was a little more cartoony than anything else we’ve seen in this series. All told, this was an extremely fun and solid comic series that served these classic characters well.
So there you have it, the life and times of the California Raisins with a sprinkle of holiday cheer. I hope it’s merry, warm and bright for you and yours, and that you’ll join Matt back here on the blog for his big holiday update. He’ll be taking us from the land of singing fruits and vegetables into animated knights and dragons when he covers the comic adaptation of Dragon’s Lair. In the meantime, make sure you’re well stocked on hot chocolate, support local and indie businesses as you’re able this holiday season, and read a comic or three.
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