From Horror Movie To Horror Comic: Reptilicus

For the month of May, in honor of “Godzilla: King Of The Monsters” hitting theaters and it bringing us one step closer to King Kong and Godzilla battling it out in 2020, we are going to have Kaiju month here on the blof that will be filled with “From Horror Movie To Horror Comic” updates all featuring giant monsters! And our first Titan will be Reptilicus, a sinister dragon-like beast who was the first Danish monster in cinema! Many people seem to forget about the likes of Reptilicus when they think of Kaiju and just giant monsters in general so that is why he was selected as my first choice to start off this event month. So if you’re ready, let’s see the terrors Reptilicus has in store for us and what destruction he leaves behind.

Reptilicus is a massive snake-like reptile that was frozen underground for centuries and is very combative in nature once awoken. The massive Reptilicus has many means to snuff out the life of humans as he can use his size and weight to crush and smash any and everything that gets in his way. He also sports very sharp snake-like teeth that could easily eat, impale and rip apart a man in no time. He doesn’t only attack on land but also water and even air with a strike upward. He also has the ability to grow back missing limbs and can heal from attacks pretty quick as he is a massive monster who can regenerate. Bullets, missiles and even fire from tanks do not hurt him, as he is able to shrug it off and keep on his path of destruction. And we are not even sure what his green acid spit could do when in contact with human flesh! Not to mention just the sight of him will cause panic and leave his human targets more easy to pick off as they make mistakes with minds full of fear. While he is massive and very hard to truly hurt, he can be killed as he hates fire and if burnt too long, he would die. He is also pretty slow moving on land and this also leaves him open for attacks and other means to stop him. He can also be drugged, and it’s even possible make him die of an overdose. While he might not be the most massive or destructive Kaiju in the world, Reptilicus is one of the most cold blooded who goes out of his way to kill and destroy, making him one deadly foe.

So now that we have taken a look at the destructive and killing nature of Reptilicus, we should now take a look at the film he is from. The film’s write up is taken from our friends at IMDB, and after, I will talk a little about the film’s production as well as my connection with and feelings about the film. So if you’re ready, let’s take a look at the film.

Reptilicus (1961)

A portion of the tail of a prehistoric reptile is discovered in Denmark. It regenerates into the entire reptile, which proceeds to destroy buildings and property and generally make a nuisance of itself. It can fly, swim, and walk, and has impenetrable scales, which makes it difficult to kill.”

In the 1960’s, giant monster movies were all the rage, and in 1961 American International Pictures and Denmark company Saga Studio teamed up to make Reptilicus! The film was directed by Poul Bang for the Danish version and Sidney W. Pink for the English one…as you see, the film was made in two different language in order to maximize the film’s audience with the only major change being the actress who played the character of Connie Miller. Another story goes that the English version was so bad that American International Pictures called in screenwriter Ib Melchior to help shape it up for release. This also caused Pink to be upset and threaten to sue the company, but rumor has it, after watching his version he dropped the lawsuit as he saw how bad it was! The film built a cult following in Denmark as well as the US, but critics were not kind to this film as they all mocked its cheap looking production values. So while Reptilicus might not be as loved and respected as King Kong, Godzilla or even Gamera, it still made its mark on the world of giant monster cinema. A fun fact is that in 2001 director Sidney Pink wanted to remake the film to try and cash in on the 1998 American Godzilla movie…but sadly this did not happen as Pink passed away in 2002 from a long illness.

Reptilicus was one of those movies I know I saw when I was a youngster and cannot remember if it was just shown on broadcast TV or if it was on a Horror Host program but I can remember enjoying the heck out of it. It would be years and years later that I would see the film again when my friend Jason Gilmore bought it on DVD and we watched it on one of our many late nights of video game playing and Horror Movie watching hangouts. Gilmore and I had a blast laughing at the Reptilicus puppet as it went on its rampage and for a while it was a film we loved to laugh at and reference. One surprising thing isthat growing up I never did have one of the comics by Charlton nor did I have the paperback novel adaptation even though I was into all those things at a young age. I would go on to own the film on VHS and DVD and from time to time still dust it off to give a watch. Many modern Horror Fans have also seen it on the rebirth of Mystery Science Theater 3000 that is on Netflix. I feel that, much like Konga we have talked about in a past update, Reptilicus is often over looked when it comes to Kaiju in movies as the monsters of Toho dominate it, and I feel that’s not fair as many of these less known Giant Monsters are as cool as those we all know and love. While Reptilicus might not be a household name, he is a movie monster that has built a cult following and has left his green acid spit all over the world of Horror Cinema.

So now that we know the killing power of Reptilicus as well as took a look at his only film appearance, I think we should gather our nerve and take a look at Charlton Comics adaptation of the film that ended up spinning off into a comic series. While we run for our lives from the rampage of Reptilicus, I want to remind you all that I am grading this comic on a 1-4 star scale and am looking for how well the comic stays to the source material, its entertainment value and its art and story. I also want to thank an Ebay seller for having this comic in stock and making this update possible! So let’s seek shelter and enjoy this horrifying adventure of Reptilicus.

Reptilicus # 1 **1/2
Released in 1961     Cover Price .10     Charlton Comics   # 1 of 8

Svend Alstrup is a foreman and is drilling for copper when he uncovers a bad smell and a chunk of skin that is covered in scales from deep in the Earth. After closing down the drilling, Svend calls for Professor Martens who takes the flesh to his lab. Later on as Svend finds more hunks of flesh of the beast, he delivers them to the Professor whose two daughters have formed a crush on him. One night by accident the freezer door where the flesh is held is left open, and this causes the flesh to grow and heal causing them to inform the United Nations of the discovery who in turn send two military men to supervise the experiment. The army once at the lab dismiss the chunk of flesh as a joke and seem not to be bothered that it has grown 100 times its size in eight days. But things change when a freak thunderstorm roles in and a blot of lightning strikes the tank releasing the flesh that has now grown massive and is called Reptilicus! Professor Martin and the Army come together fast to try and figure out a way to bring down this massive monster and each attempt fails as Reptilicus keeps growing and even learns to fly causing chaos and destruction every where he goes. In the end General Grayson and Professor Miller create a drug that they load into a shell and fire at the creature knocking it out and leaving it open to be disposed of, but little do they know a piece of Reptilicus skin is in the ocean waiting to grow and bring the monster back.

The plot of this comic adaptation is based on both the American Version of the film as well as the Danish Version and delivers a fun read for fans of this monster flick. The major downside is that it’s an hour and twenty minute movie crammed into twenty pages and keeps lots of the boring science and military talk from the film in. The plot is pretty cut and dry and has a blob of flesh being discovered that regenerates into a massive monster that breaks free from a lab and goes onto a massive rampage in Demark as the scientist and army try to figure out a way to stop it. Professor Martens is one of the heroes of this tale as his knowledge of these types of creatures as well as his research on the skin allows him to stop the army from making big mistakes like blowing it up and causing all the small pieces to become full fledged Reptilici (Repitilicuses?)! General Grayson is also a hero as he does not back down from the creatures and does not allow his failed attempts to shake his nerves as he wants to save the people and stop the monsters rampage once and for all. Reptilicus is one mad giant monster who wants to take out all his rage and hatred on humankind and seems to not be phased when attacked by some of mankind’s most used weapons of murder. He also is so powerful that he does not stop when attacked and in fact it only seems to make him rampage more! The comic is bloodless and the body count is very low and all shown off pane, but it fits for this style of Horror Comic. The scares come more in the vein of nature running amuck and the idea of a massive beast crushing your city than blood, guts and gore. The cover for this issue is pretty great and is very eye catching for fans of 60’s monster movies, and the interior art is done by the team of Bill Moino and Vince Alascia and is fantastic classic style. If you like the film Reptilicus and enjoy Kaiju in your Horror Comics, this is one you should read, while not a perfect adaptation it is an enjoyable one. Check out the artwork below to see the style of this issue.

Reptilicus’s rampage might have came to an end, but not to worry friends and readers, Kaiju Month continues next update as we leave Denmark and travel to England and see what destruction Gorgo and his Mother will do! It’s weird that some Kaiju have never gotten a comic book adaptation or series as ones like Kraa!, Q The Winged Serpent and Deadly Mantis all would have made for great comics, and only time will tell if they ever will get their time to shine in the pages of a comic. So until next time, watch out for giant monsters, read a Horror Comic or three, watch a Horror Movie or two and as always support your local Horror Host. See you next update as we witness the destructive power of Gorgo!

 

Avengers Assemble…We’re Needed

Welcome back, True Rotten Ink-lievers!  Juliet here, on this momentous occasion where we’ll be covering one of the greatest team-ups to grace both the page and the screen. I’m talking about Earth’s Mightiest Heroes, John Steed and Emma Peel.  That’s right, I’m joining you to talk about The Avengers….but not those Avengers. We’ll be looking at the spies played by John Macnee and Diana Rigg in the 1960s British television show, The Avengers, and their 2012-13 comic book series from Boom Studios.  So grab a bowler hat and a stiff drink, readers, we’re needed.

Avengers02

Although knowledge of the show is more widespread these days, there are many people that don’t realize that the Avengers existed both before and after the Emma Peel years.  The show premiered in 1961 from the English ABC (Associated British Corporation), focusing on the espionage adventures of Dr. David Keel with Patrick Macnee’s John Steed showing up in the first episode offering his assistance.  Steed would remain in the assistant’s role for all of series one, which was cut short due to an Actor’s Equity strike. When production resumed in 1962, Steed was now the focus of the show partnering briefly with Dr. Martin King and Venus Smith and more permanently with Cathy Gale, played by Honor Blackman.  It was during this time that the show as we know and love it really took shape: Steed’s look was established as the bowler-wearing English gentleman spy, while Cathy donned leather catsuits, which Emma Peel would also adopt along with the latest in mod fashion.

Avengers03

In 1965, the show was sold to the American Broadcasting Company (also ABC) and became one of the first British shows on to air on American television. The show moved from shooting on videotape to 35mm film, and in October, Diana Rigg debuted as Steed’s new partner Emma Peel.  We’ll discuss more about Steed and Peel momentarily, but for now let’s focus on the show itself. Along with Emma Peel, this new era of the Avengers introduced science fiction, fantasy and the occasional fetishistic elements to the plot. With the fifth series (aka season since we’re talking about British TV) in 1966, the show began shooting in color.  This was also the year that several of the show’s signature elements were introduced.

Avengers05Avengers04Avengers06

Two of the best known elements that in truth only lasted for 15 episodes, are “Mrs. Peel, we’re needed” and the “Steed does/Emma does” tags, both appearing at the start of an episode after of course the murder or inciting incident for the case had been established. We’d see Emma doing something ordinary. She’d then receive or encounter the message “Mrs. Peel, we’re needed” at which time Steed would appear from seemingly nowhere and their adventure would begin.  The tag would show up under the episode title and give a comedic description of each character’s actions during the episode. For example, in “The Winged Avenger,” the tag is, “Steed Goes Birdwatching. Emma Does a Comic Strip”

Avengers07

Diana Rigg left the show in 1967, gone was Emma Peel and gone were the sci-fi/fantasy elements with her.  The producers opted to return to the more realistic spy adventures that viewers had seen in the Cathy Gale era, and this time Steed’s partner was Tara King, played by Linda Thorson.  This sixth series would also introduce the characters of Mother and Father who would be central characters in the 1998 movie remake of the Avengers (more on that further down). But series 6 was to be the last as, although the show was popular in the UK and Europe, in the U.S. it was airing opposite the then number 1 show in the country Rowan and Martin’s Laugh In and just couldn’t compete.  When the show cancelled in the U.S., the finances became unsustainable and Avengers ceased production in May 1969.

Avengers08Avengers01Avengers09

Now that we’ve talked about the history of the show, let’s get into the characters and the people who portrayed them.  Born of a noble family and having served in the RAF in WWII (like his portrayer Patrick Macnee), John Steed is an agent in an unnamed British intelligence agency that some claim exists in the same universe/canon as James Bond.  In his initial appearances in Avengers, Steed was less refined than the character we’d come to know and love, but fairly quickly, he adopted the signature suave look of a three-piece suit, bowler hat, and umbrella, which would become his signature look. Steed is both sassy and sauve, and although he can be playful, when the time comes, he’s an ace spy and is well verse in hand to hand combat and swordsmanship. The role of Steed came around at the precise right time for actor Patrick Macnee.  After serving in WWII for England, he began his acting career in Canada with smaller roles but didn’t meet with much success. By the late 1950s, he was smoking and drinking to excess and had nearly given up on acting opting to produce documentaries when he was offered the role of John Steed, which he would play until 1969. Macnee helped establish the character’s look and personality, insisting, for example, that Steed never use a gun, in part because of the horrors that Macnee had witnessed in WWII.  He wrote two novels based on The Avengers and later hosted a documentary about the show. Macnee would go on to be in a James Bond film, Magnum P.I., The Howling and more, including a cameo in the 1998 Avengers remake (I promise, we’re getting there). Patrick Macnee died in June of 2015 at the age of 93.

Avengers10Avengers11Avengers12

Dame Diana Rigg made her stage debut in 1957 and joined the Royal Shakespeare Company in 1959.  When Elizabeth Shepherd, originally slated to play Emma Peel, left the production, Rigg auditioned for the role having never seen The Avengers.  She was an instant star, despite making very little money for her work on the show, which is what ultimately drove her to leave after two years. Rigg went on to star in both film and television roles, including a stint hosting Mystery on PBS (taking over for Vincent Price), and she continued her work on stage. More recently, she’s captivated a new generation of TV viewers as Olenna Tyrell in Game of Thrones.  As for Rigg’s most iconic role, Emma Peel is a great mix of brains, battle-readiness, and sex appeal. She’s an accomplished scientist and martial artist who dabbles in many other fields, especially when it aids her investigations with Steed. Born Emma Knight, Mrs. Peel’s husband Peter is a pilot whose plane went down in the Amazon rainforest prior to her work with Steed. Peter was presumed dead for many years, returning as a plot device to write Emma off the show and introduce Tara King when Diana Rigg decided to move on.  Though the leather catsuits were introduced in the Cathy Gale era of Avengers, they became Emma Peel’s signature look along with the mod styles of the day. A quick wit with a silver tongue, Emma was the perfect verbal match for Steed, and their back and forth was part of what made the show such a joy to watch.

Avengers13Avengers14.jpgAvengers15.jpg

I first encountered The Avengers on VHS at my local library.  I was lucky enough to grow up with two awesome libraries close by, one of which had an amazing selection of science fiction paperbacks and the other sported any amazing VHS selection, featuring a lot of British television and foreign and classic films. In the same way I have an affection for both really good and really cheesy science fiction, I adore both really good and really cheesy spy movies and TV shows, and I feel like The Avengers fall right in the middle.  It’s as classic as James Bond, but has an entirely different feel that’s so completely of its era. In the last five or six years, I’ve managed to watch the entire Emma Peel run of the show on DVD thanks to Matt, who bought me the Emma Peel Megaset after we found it at Half Price Books. In the same spirit as ST:TNG and the X-Files, I have certain favorite episodes that I go back to again and again, but I can also watch the series as a whole all over again and enjoy it, securing The Avengers’ spot among my all-time favorite TV shows.

Avengers20Avengers23Avengers21

In 1998, Warner Brothers and director Jeremiah Chechik (of National Lampoon’s Christmas Vacation fame) sought to revive Steed and Mrs. Peel for a new generation on the big screen.  The film, simply titled The Avengers starred Ralph Fiennes as John Steed, Uma Thurman as Emma Peel and Sean Connery as weather obsessed villain Sir August de Wynter. Rumor has it that Warner refused to pre-screen the film for reviewers to prevent negative reviews after test screenings prompted the studio to cut it from 115-minute to 89 minutes, removing key plot elements.  An original cut of the movie has never emerged, though Jeremiah Chechik has offered Warner Brothers a director’s cut for free. The movie as it stands is universally regarded as one of the worst movies ever, but I have to tell you something, dear readers: I love it. Okay, okay, it’s by no means a cinematic masterpiece, but I see the campy potential in the look and feel. Plus, it came out at a time in my life where I was actively seeking out very cheesy spy films and novels, the more bizarre, the better….and this one is certainly bizarre.  To parrot Stefon from SNL, this movie has everything: Uma Thurman with a bad English accent, giant teddy bears, a weather device, human sized hamster balls, Patrick Macnee as the Invisible Man, Eddie Izzard. If you have an open heart for utterly ridiculous trash, give it a try. It has little to nothing to do with the original TV series, but it’s silly fun if you’re up for that sort of thing.

Avengers19

In terms of merchandise for the TV show, the modern fan can enjoy the series on DVD as well as a plethora of Steed and Mrs. Peel-themed goodies on sites like Etsy.  More classic gear includes trading cards, and most interesting, paperback books. The first novel, simply titled The Avengers and written by Douglas Enefer, was published by Consul Books in 1963.  It’s the only book of the original run to feature Cathy Gale. Many novels featuring Emma Peel and Tara King would follow in the UK and US, including several co-written by Patrick Macnee who was one of the first actors to write licensed spin-off fiction of their own shows.

Avengers16Avengers17Avengers18

The Avengers first made it to comics in the U.K. as comic strips in TV listing magazines (similar to the US’ TV Guide).  Their first American outing was a 1968 collection of these strips released by Gold Key called John Steed Emma Peel because, of course, Marvel made it impossible for them to release a comic called The Avengers. In 1990 Eclipse released a three issue series called Steed and Mrs. Peel with script by Grant Morrison and art by Ian Gibson.  Boom Studios would re-release that series in early 2012. For our purposes, however, we’ll be covering the 2012-13 Steed and Mrs. Peel series from Boom Studios, written Mark Waid and Caleb Monroe. Before we begin our adventure, I must remind you that here at Rotten Ink, we grade comics on a 1-4 star scale and look for how well the comic stays to the source material, its entertainment value and its art and story. So let’s get started, dear reader, we’re needed.

AvengersComic00

Steed and Mrs. Peel #0  *** 1/2
Released in 2012     Cover Pice $3.99    Boom Studios    #0 of 11

Steed and Mrs. Peel investigate the mysterious of Agent Colin Whitcomb. Although the cause of death is straight forward (he was shot pointe blank), the strange part is that the missing agent has aged significantly.  Their only clue is the scent of a particular cheap perfume on Whitcomb’s body, sending the daring duo to the Hellfire Club, or rather the “New Hellfire Club” to investigate. There they meet the future obsessed Cartney who leads Steed into a fight with Father Time.  Meanwhile Emma outwits Futura, the automotan, and dons her outfit as a disguise to locate the missing Steed. Steed awakens older and grayer discovering that it’s no longer 1966, but the year 2000, and that he’s now a part of the National Archives, having served as an agent of much acclaim.  But of course Steed is on to the true plot of the Hellfire Club, using an aging serum to fool intelligence British agents. With Emma’s expert martial arts skills, the baddies, which include their old Hellfire nemesis Cartney, are defeated. With the aging serum’s effects wearing off, Steed treats Mrs. Peel to a concert.

When I first heard that Boom Studios would be doing a comic based on The Avengers, I was nervous to say the least.  The charm of the show is so particular – there’s a formula to the stories, but moreover the way Patrick MacNee and Diana Rigg portrayed the relationship between Steed and Peel is so very specific.  I was hopeful once I saw that Mark Waid was writing, and he did not disappoint. This introductory issue was everything I had hoped for – it felt right at home in the universe of the show, teasing a time jump but keeping things firmly in the 1960s.  Longtime fans of the show got recollections of the Hellfire Club (**find out the name of this episode) and Emma’s spiked collar, cybermen (who also appeared in Doctor Who), the familiar “We’re Needed” start to the action. Most importantly, the dialogue was perfect.  I could hear MacNee and Rigg’s voices in my head as I was reading. Steve Bryant’s art is a good balance of realistic and stylistic and captures both the feel of the 1960s and the action well. I was pleasantly surprised by this one when I first read it in 2012, and 7 years later, it’s still a great read.

AvengersComic01

Steed and Mrs. Peel #1  ***
Released in 2012     Cover Pice $3.99    Boom Studios    #1 of 11

Masked men infiltrate a secluded base and launch a missile attack on London.  Steed and Mrs. Peel watch the carnage, along with Lord Bailey, in an underground bunker, but just as everyone has a moment to absorb what’s just happened, an alert sounds and our heroes leap to action.  A fire in the bunker forces Emma and a fellow scientist to lead everyone in the bunker topside, but once there, Mrs. Peel discovers something unusual. Although London is leveled and their instruments are showing radiation, there’s no effect on the soil or water.  There’s no time to question it further, however, because their fellow survivors spot a figure in the distance rapidly coming towards the group. The figure is some sort of mutated creature, and it’s not alone. Steed and Mrs. Peel battle the horde of monsters, and the book ends with them getting a vital assist from none other than the Hellfire Club.

This proper first issue of Steed and Mrs. Peel begins with action that’s sustained through the book.  Our heroes seem to be in some kind of post-apocalyptic disaster scenario, which is such a perfect melding of Cold War-era spy show sensibility and our modern obsession with post-apocalyptic stories (I see you, The Walking Dead and your many and varied progeny).  The action is such that we don’t get a lot of information about what’s happened other than London has apparently been nuked, and I like that because we’ll get to discover what’s happening along with Emma and Steed. The dialogue between the two is once again spot on thanks to the team up of Mark Waid and Caleb Monroe, and the artwork, this time from Will Sliney, is really great, classic looking comic style that lends itself to both action and dialogue well.  I know you’re probably wondering, like me, what the Hellfire Club is doing there and what they do or don’t have to do with this disaster so let’s get to the next issue.

AvengersComic02

Steed and Mrs. Peel #2 ***
Released in 2012     Cover Pice $3.99     Boom Studios    #2 of 11

Steed, Mrs. Peel, and the British MPs they were previously sheltering with are now all guests of the Hellfire Club in their lavish bunker.  Although most of the other guests seem pretty comfortable, Steed and Emma are worried that they’ve not seen Lord Bailey, General Crampton or Mr. Stanton, the other scientist, since arriving. Although our heroes don’t yet know it, we see the general being brainwashed by a member of the Hellfire Club.  She and her brother, both the offspring of Cartney, chat a bit about how Steed and Mrs. Peel will of course be the hardest to break but it’s worth it get revenge for father. Steed and Mrs. Peel work on a plan over a game of chess. Emma goes to talk to Miss Cartney about the missing general, and gets attacked.  Later Steed stumbles into another brainwashing session and is also taken out, but when he awakens, it’s revealed that his attacker was Mrs. Peel, decked out in a familiar outfit, her Hellfire Club leather and spiked collar.

More of the mystery is unraveled and new twists appear in the second issue of this story arc.  While it’s no shock that the Hellfire Club is up to no good, what their goals are and who the mysterious Dirigent is remain a mystery. Also a mystery is whether or not this story ties in some way to the Cartney time-travel story in issue #0.  I like that we don’t know (and I genuinely don’t remember if it does from my first reading of this series seven years ago). As with issue #0, I love that this story is taking elements directly from the series and expanding them on the page, especially since they’re using one of my favorite plot elements that the Avengers shares with X-men: the Hellfire Club.  Is Emma once again brainwashed or she pretending to gain the trust of the Club? Onward to Issue #3, we’re needed.

AvengersComic03

Steed and Mrs. Peel #3 ***
Released in 2012     Cover Pice $3.99    Boom Studios    #3 of 11

Steed is hopeful that the leather-clad Mrs. Peel is simply undercover, but alas, that’s not the case as she sends him through a wall behind which the younger Cartney is enjoying his lavish Hellfire existence. Steed snaps Mrs. Peel out of her brainwashed state using some trigger words they had developed “after the first few times someone tried this.” After Emma knocks her brother out, Miss Cartney arrives with her henchmen leading Steed and Mrs. Peel to flee.  They commandeer a motorcycle (and a new outfit for Emma) and lead the Hellfire Club on a chase into the nuked out wasteland. After fighting hand to hand with Miss Cartney, Emma shoots a flare, signaling the British Air Force, who she and Steed had secretly been in contact with after figuring out that the nuclear attack was a hoax and they the MPs had been kidnapped and taken to the South China Sea. Steed and Mrs. Peel sail off into the sunset, and back at the Hellfire Club the Cartney brother plots his next move.

Thus concludes the first story arc in Steed and Mrs. Peel…sort of.  Although they’ve solved the mystery of the fake nuclear blast and London’s destruction, something tells me that this isn’t the last we’ve seen of the Hellfire Club in the least.  This one is the last issue for which Mark Waid did the story and Will Sliney the art, but luckily scriptwriter Caleb Monroe sticks around for the rest of the series. There’s a temptation to say that the story wrapped up too quickly, but honestly it felt right in line with the TV show, and the pacing of these three issues felt like the pacing of the hour-long episodes.  So what’s next for Steed and Mrs. Peel? Let’s find out!

AvengersComics04

Steed and Mrs. Peel #4 ** 1/2
Released in 2012     Cover Pice $3.99    Boom Studios    #4 of 11

Steed and Mrs. Peel have been invited to a ball. In full fancy dress, they, along with many British dignitaries attend the masked party of author Lloyd Cushing.  As part of the evening’s entertainment, they meet Mr. Blackwell, an eccentric conductor accompanied by his two Butoh dancers. But a party can never be just that for our two heroes as they’re soon called upon to investigate the murder of a man who turns out to the the real Mr. Blackwell.  Trading her ball gown for more action oriented clothes, Emma joins Steed in the ballroom where all of the guests are now missing. Steed tracks them outside where the Butoh dancers are to blame for the mass exodus. Meanwhile Emma confronts the imposter conductor, who turns out to be the Hellfire Club’s hypnotist Dirigent from their prior island adventure.  Dirigent explains that he can manipulate high frequency sound to bend people to his will, but he’s no match for Emma. As Steed and Mrs. Peel continue their previously interrupted dance, we zoom out, all the way to out space where a satellite baring the Hellfire Club logo looms over us all.

Upon first glance, the is your typical post-story arc issue, a one-shot where the characters get to have a minor adventure and perhaps some fun before the next big thing.  But actually, this issue, although basically a one-shot, continues our Hellfire Club storyline and presumably is going to bridge the prior arc with the one to come in Issue #5.  Although this one has significantly less action than the last few issues, there are some really nice things happening in the dialogue, both between Steed and Peel and among the other characters.  I feel like this was perhaps Caleb Monroe’s chance to provide some of his analysis on the original show and characters, and as I fan, I really enjoyed reading it. Yasmin Liang takes over on artist duties for this issue, and although she doesn’t capture Steed and Peel’s expressions as perfectly as Will Sliney did, she’s a great addition to this story, and I’m excited to see how she tackles the action scenes that are surely coming in the next book.  So let’s get to it!

AvengersComic05

Steed and Mrs. Peel #5  **
Released in 2013     Cover Pice $3.99     Boom Studios    #5 of 11

The fallout from last issue’s ballroom party gone awry continues as Steed and Mrs. Peel find out that his friend Trevor Seabrook has been arrested for a theft related to his wife’s disappearance from the party. The curious part is that the kidnappers tasked Seabrook with stealing a seemingly empty jar, but the truth is the jar contains something that has regenerative properties, which is of course of interest to the Hellfire Club’s Dr. Peter Glass, previously presumed to be dead.  Seabrook’s wife is returned, Steed and Mrs. Peel begin to piece things together, and Glass unveils a special piece of tech as this issue ends.

The interesting thing about this issue is that both everything and nothing happens, and that’s not necessarily a bad thing. Like the prior issue, this one was low on the action but high on information that’s obviously leading to the next chapter in the Hellfire Club’s evil plans that Steed and Mrs. Peel are constantly working to unravel.  

AvengersComic06

Steed and Mrs. Peel #6 **
Released in 2013     Cover Pice $3.99    Boom Studios    #6 of 11

Through a flashback and conversation, Steed and Mrs. Peel reflect on the aforementioned Dr. Glass and his death, for which Steed was an eyewitness.  Seabrook’s wife is awake but only repeating the words “bleeding heart” so Steed and Emma decide to regroup. On the way, however, Emma is tricked by Glass’ assistant Jamie and kidnapped.  Meanwhile, Steed is nearly ambushed when inquiring about Seabrook’s stolen empty jar, but soon our heroes are reunited in Glass’ lair where it’s revealed that the mad doctor survived his untimely death using special goggles sported by three versions of Jamie that allow him to time travel. As Glass is apprehended, one of the Jamie’s slips away to inform someone on the other end of a video camera that this phase of the plan has failed.  Steed and Mrs. Peel end our issue reflecting on the practicality of time travel over a drink as a rocket launches on the horizon.

One of the things that I really love about this series is the layered story.  Each arc leads to another and contributes to a larger story. This is especially interesting because the show generally did not do this, but I wish it had.  All of that said, this wasn’t the most exciting arc. Granted, this issue had more action than the prior two, but the payout felt a bit weak. Although thinking of it in the grand scheme of a larger story makes even a weak arc feel important.  So let’s get to the next one, and hopefully we’ll find out who Jamie was talking to and what dastardly plans they have in store for Steed and Mrs. Peel.

AvengersComic07.jpg

Steed and Mrs. Peel #7  ***
Released in 2013     Cover Pice $3.99    Boom Studios    #7 of 11

Steed and Mrs. Peel are sent to a small Welsh mining town to investigate an unprecedented wave of suicides. Posing as scientists (though Steed is the only one posing, as he points out), they begin their investigation by consulting with Dr. Mortimor, a psychologist specializing in suicide.  After tea with Moritmor, our duo walks back to the inn where they’re staying, taking the scenic route to stop by some of the scenes of the some of the crimes. On a seaside cliff where several people fell to their deaths, both Steed and Emma seem to lose control of themselves and nearly jump off the cliff, the other stopping them just in time. They of course realize that Dr. Mortimor and his terrible tea is to blame.  The evil doctor explains that he’s not a murder, merely an experimenter in the weaponization of suicide. Steed, Mrs. Peel and the gathering crowd of villagers are less convinced of this excuse.

What a breath of fresh air after that slightly lackluster last arc!  Although the story was a bit predictable, it shone because of both the art (great panel structure in this one!) and the writing.  We got a lot of great little moments of Steed and Emma quipping back and forth while working to solve the mystery, and these moments are golden.  I didn’t realize how much of this was missing from the prior issue until I read this one. The chemistry between them, both in the dialogue and the artwork, was so spot on, and this definitely felt like an episode of the show that I would have loved. With that, let’s see what our next issue has in store!

AvengersComic08

Steed and Mrs. Peel #8  **1/2
Released in 2013     Cover Pice $3.99    Boom Studios    #8 of 11

The Cartney family is back!  Steed and Emma’s beachside holiday is interrupted with the news that Joan Cartney has been broken out of jail by a strange silver man.  While Steed and Emma investigate, knowing there’s more to this than meets the eye, the Cartney siblings are reunited with their father who is alive, but not well. Donning costumes to make them look like Steed and Emma, the younger Cartneys set out to fulfill their mission of killing our heroes by blowing up Steed’s flat, while their father undergoes a procedure to rejuvenate his body…as a Cybernaut.

With last issue’s palate-cleanser, I’m ready to dive into a new story arc, and this one sets up our story nicely.  It’s no surprise that the Cartney’s are back, and we learn that it was, indeed, them that Jamie was contacting in Issue #6.  As we set up our villain’s story, we once again get really cozy fun interactions between Steed and Peel, making me thinking that writer Caleb Monroe has gotten into the same comfort zone that Mark Waid began the series with.  I’m eager to see where the Cybernaut story is going so let’s get to the next issue!

AvengersComic09

Steed and Mrs. Peel #9  ***
Released in 2013     Cover Pice $3.99    Boom Studios    #9 of 11

While Cybernaut Cartney shops for a suit, his children learn that even a bomb can’t take down Steed and Mrs. Peel.  The siblings’ bickering about what went wrong is interrupted when their intended victims confront them, and quickly things turn into a street fight (with swords!). The Cartneys get away, but of course that was the plan as Steed, harkening to the original Cybernauts TV episode, plans a transponder his umbrella which he allows them to escape with.  After a quick wardrobe change, Steed and Mrs. Peel head to the Hellfire Club’s base of operations where they spy General Seabrook smuggling army tech to the enemy. Although they’re able to sneak in undetected, Cybernaut Cartney uses his super strength to bust through a wall and grab our heroes.

With the last issue being mostly set up for the new story, I was worried this one would be more of the same.  But happily, this issue is heavily on wonderfully drawn action with some great dialogue to accompany it. The way the panels mimic the style in which the show was shot is a really nice touch and combined with the coloring gives the book such a great retro feel.  My only concern moving forward is that there are only two more issues, and I honestly can’t remember if the book ends at the conclusion of an arc or if we’re going to be left hanging. I guess there’s no way to find out until we get to the next issue….

AvengersComic10Steed and Mrs. Peel #10  ***
Released in 2013     Cover Pice $3.99    Boom Studios    #10 of 11

Cybernaut Cartney is about to kill our heroes but Emma appeals to the villain’s hedonistic side, saying that if he kills them now, it’s all over. This is much to Joan’s chagrin as Steed and Mrs. Peel have been a thorn in her side for far too long, but father knows best…..only Cartney isn’t really her father. Joan and her brother discover documents in Cartney’s desk revealing that they’re a young married couple who went missing and were subsequently brainwashed by Cartney in what he calls, “my greatest practical joke of them all.” After her husband (formerly her brother) is killed by Cartney, Joan sneaks back to the prison to get help from a former ally.  Meanwhile Jamie is torturing Steed in the Hellfire Club dungeon forcing Emma to strike a bargain with Cartney – Steed’s life for her hand in marriage. The issue ends with Cartney presenting Emma to the rest of the Club as his fiance and the new Queen of Silver.

This issue has so much going on!  The reveal about the Cartney siblings (or rather the not Cartney, non-siblings) was really great.  I truly didn’t see that coming, and in addition to being a great twist, it packed an emotional punch.  Cartney’s line about this being “my greatest practical joke of them all” was an amazing touch. In this issue we get more about Cartney’s weird obsession with Emma, which is framed in both flashbacks and present moments, something I like because it really gives the reader the sense that Cartney is an absolutely twisted villain.  I also loved the touch of the Silver Court being introduced to the Hellfire Club. But my concern from last issues remains; there is a lot to resolve in one issue to wrap up both the arc and the series. I suppose the only way to know how that works out, however, it to read on.

AvengersComic11

Steed and Mrs. Peel #11 ***
Released in 2013     Cover Pice $3.99   Boom Studios    #11 of 11

We open in a church where Cybernaut Cartney stands at the altar with a silver bedecked Mrs. Peel.  The officiant asks if there are any objections to the union, and right on cue, John Steed drives his car through the window of the church.  He shouts Emma’s trigger words, but she doesn’t need to be un-brainwashed this time, she was merely buying time for Steed. While a battle ensues in the church, Joan sneaks into the room containing John’s human body that’s feeding the Cybernaut and gives him the brainwashing serum, prompting the Cybernaut to seek out its human body to destroy it. Emma and Steed follow, and Emma uses the aging serum from all the way back in issue zero to prevent the Cybernaut from destroying human Cartney.  But alas, he dies shortly thereafter anyway. The issue ends with Joan escaping to make a better life, and Emma and Steed watching the sun set and reflecting on this latest chapter in their adventures together.

This issue does a pretty good job of wrapping things up.  Yes, the Steed crashing the wedding scene is ridiculous, but it fits the show quite well.  I really liked that the aging serum from issue 0 comes back into play, but the sequence of Cartney dying anyway was slightly confusing.  The ending with Steed and Emma watching the sunset was quite lovely, and I do like that the Hellfire Club story wasn’t so final that they can’t come back again in some future series.  Speaking of future series, Boom Studios would try for another arc in 2014 called Steed and Mrs. Peel: We’re Needed, but alas, what was to be a six issue series only made it three, and quite honestly those issues didn’t hold a candle to this series. Avengers22

Part of the reason I chose to cover this particular comic version of The Avengers is that, in my opinion, it’s the most faithful to the spirit of the show, and despite a few missteps, uses the structure of comics to create an ongoing story in a way that the show didn’t back in the 1960s (though I suspect a modern rendering would).  For our next update, we’ll be leaving the world of spies, but staying in the 1960s as Matt kicks of a month of Kaiju updates in anticipation of Godzilla: King of the Monsters with a look at Reptilicus. In the meantime, read a comic or three, and support your local horror host!

mst3k_reptilicus

From Horror Movie To Horror Comic: Leprechaun (1993)

Happy Saint Patrick’s Day ! For this update I think we are going to revisit that nasty little movie monster killer The Leprechaun! Last time I covered him was way back in 2013 when I reviewed the very cheesy BlueWater Comic series and that was also for Saint Patrick’s Day. For this update, we will be looking at the Trimark promo comic released when the film hit theaters, and it will be a “From Horror Movie To Horror Comic” update so we can really breakdown the 1993 movie as well as Leprechaun the character. I am also doing this update in honor of the SYFY network’s newest Leprechaun sequel that is being released today. So if you’re ready to drink some green beer and look for the pot of gold on the other side of the rainbow, let’s dive into this pint size terror killer.

To start off this update, we need to take a look at our title killer of the film, the one and only Leprechaun, and while he has been in several films, we will only be talking about his killing abilities and flaws from the first film only as that is what this promo comic is based on. The Leprechaun is an over 3 feet tall supernatural creature who has a wicked nature and a thirst to kill those who make the mistake in taking his gold from him. The Leprechaun is very cunning and is a trickster and can use his size and appearance to scare his target victims leaving them open for the kill once panic sets in and they notice they are being stalked and hunted by a mythic creature with a frightening face. The Leprechaun also uses magic in order to dispatch his victims as, while he is not earth shattering with his powers, he can in fact use them on those who stole his gold and ones that get in his way. He also has no issues using his bare hands nor any weapon or item he can find around him on the sad person who crossed his path. He also has razor sharp fingernails that can also be used in hurting a human as well as his teeth that he will use to chomp down with. And all the while he also makes puns and jokes during his violence causing the victim to feel helpless and weak. He also can regrow body parts that have been cut off and can heal from wounds pretty fast. Oh and lets not forget, he is also good at leaving traps to capture his victims! While The Leprechaun is powerful, he does have weaknesses like four leaf clovers hurts him and leaves him powerless and open to attacks and is the true way of stopping him if one is placed on him. If he is forced to swallow the clover, he melts from the inside out. He also has a weakness for dirty shoes as he feels like he must polish them, once more leaving him open for an attack or for a person to get away from him. He is also very much empowered by his gold and is weaker without it, once more leaving him able to be hurt from counter attacks. He also can be hurt/stunned with more direct attacks like using a gun on him. While he can be stopped, this pint sized terror is a force of evil and when stolen from he has no issues ripping your guts out!

So now that we have taken a look at the Leprechaun and his powers and ways of killing, we should now take a look at the original movie that spawned him. For this part, the film’s plot write up is taken from our pals at IMDB with the production notes and thoughts being written by myself. So if you’re ready, let’s travel back to 1993 and enter the world of the Leprechaun.

Leprechaun (1993)

When Dan O’Grady returns to the U.S. after stealing some Irish leprechaun’s pot of gold, he thinks he can settle down and enjoy his newfound wealth. He thought wrong. The leprechaun followed him and O’Grady barely gets away with his life, having locked the little monster in his basement. Ten years later, J.D. and his spoiled daughter Tory move in. By accident, the leprechaun is released and almost immediately the annoying creature starts to look for his gold, not displaying any respect for human life.”

Mark Jones was a man who made his name producing TV shows and cartoons, and one day decided he wanted to direct and make a movie and choose the horror genre to make his debut. Inspired by the film series Critters and the breakfast cereal Lucky Charms, he went to Trimark and pitched the idea that became the company’s first home grown theatrical film release and brought them to the dance. Mark Jones wrote and directed the film and got a million dollar budget and began casting bringing in such names as Warwick Davis to play the Leprechaun, Mark Holton, Ken Olandt, Shay Duffin and a Jennifer Aniston in her first feature role! Gabe Bartalos was brought in to do the special effects that took three hours to apply and forty minuets to remove. One of the main shooting locations was Big Sky Ranch that was also used back in the day for locations for The Waltons and Little House On The Prairie. Before being released, the film received a massive push from Trimark as they really wanted this film to be a big hit and help bring them more attention and money to make future films. The film did okay for Trimark at the US Box Office bringing in $8,556,940.00 on a budget of only $1 million! The film ranked number 117 for the year and beat out such other cult films as Dazed And Confused, The Meteor Man, Children Of The Corn II, Batman: Mask Of The Phantasm, Surf Ninjas, Mr. Nanny, Warlock: The Armageddon and Ernest Rides Again to name a few. While this film might not have been a box office smash nor is Leprechaun as iconic as other Horror Killers like Michael Myers or Leatherface, he does have a cult following and has made a mark for sure in the world of horror.

I can remember in 1993 when Leprechaun was being released to theaters as of course my brother and I wanted to see it and our Dad laughed at the trailer of it, and this of course meant we did not get to see it in theaters! When I was a young Monster Kid, movies with weird creatures and monsters were ones I always felt like I had to see and Leprechaun fit that bill. And of course not much has changed as I still love these style of movies! When I was finally able to see Leprechaun, it was when it came out on VHS and my brother Bryan rented it, and I can remember we both enjoyed it for all its cheesy goodness and years later I can remember watching it with my friend Jason Gilmore and he as well always really enjoyed it! In 1993 I can also remember clipping the newspaper ad from Dayton Daily News and keeping it along with other Horror Movie ads for a short time. Later I bought the film on VHS as well as DVD and even at one point remember owning the movie score on CD that was sadly stolen during a move. Even now in 2019, I find myself enjoying the original film as well as most of the sequels with the reboot Leprechaun: Origins being my lest favorite, and I really cannot wait to see the new film coming to SYFY called “Leprechaun: Returns” that should be premiering the day this update goes live. It’s odd to think that growing up the Leprechaun films have always been a part of my childhood as I have so many good memories of this series like hanging out with my friend Dave Wean watching Leprechaun 3 and eating Spaghetti-O’s while off from school, and watching Leprechaun In Da Hood and making out with my then girlfriend Misty on our couch right after moving in together and even watching Leprechaun Origins with my gal Juliet while a thunderstorm was going crazy outside. While not my favorite of the lower level Horror Movie series, it’s one I do enjoy and recommend watching them all if you like a little cheese and humor with your horror.

The Leprechaun was such a cult hit that even Saturday Night Live got in on poking fun at it via their Wayne’s World skits that were the shows most popular at the time and was based around two goofy guys Wayne and Garth and their cheesy public access show called Wayne’s World. And during some episodes as well as the second movie as Wayne armed with a flashlight would torment Garth by acting as if he was the Leprechaun! The segment on the show was really funny and Juliet and I break out reenacting the segment at home from time to time. I don’t want to spend too much time on this but also wanted to show it a little love and respect.

So now that we have chatted about The Leprechaun and his ways of murder, I think it’s time we take a look at a promo comic that was released by Trimark in order to help promote the film. I want to thank an Ebay seller who had this comic for sale and I am happy to say that the money I spent on this film went towards a charity. I also want to remind you all that I am grading this comic on a star scale of 1 to 4 and am looking for how well the comic stays to the source material, its entertainment value and its art and story. So if you’re ready lets dive into this first comic based on the horror movie Leprechaun.

Leprechaun # 1  **
Released in 1992       Cover Price FREE       Trimark      #1 of 1

In Ireland Farmer O’Grady follows a rainbow to the end and finds a pot of gold and rushes to sell it to the local jeweler and gets a large sum of money for it all, but unbeknownst to them all, the Leprechaun has arrived and wants his coins and jewels back! The Leprechaun starts off with burning down O’Grady’s farm and then starts his killing spree starting with the Jeweler and makes the terrified man’s fingers turn into snakes and attack himself. Then he goes after all those who bought his gold and jewels from the shop! His path of death includes decapitating a woman, makes a man’s head explode, drives one crazy and even electrocutes another! We then find out that Farmer O’Grady is on a plane on his way to start a new life in America, and in the baggage area The Leprechaun is hiding as the Farmer has kept one of the coins…and he wants it back!

This super short Horror Comic acts as a prequel to the film and sets up how the gold coin got to America as well as how The Leprechaun did. The plot is pretty paper thin and has a farmer finding the gold of Leprechaun and the sadistic little killing machine wants it back. Farmer O’Grady is a man who falls into luck when he finds the gold at the end of a rainbow and is able to sell it off and better his life even moving to America with the money he got…but sadly, we do not get to really get much character development from him as he is just kind of a bookend character for this short comic. The Leprechaun is filled with rage when he finds his gold missing this shows that this rhyme speaking mythical creature will kill in brutal ways! I like that it shows he very much enjoys killing people and even likes to get creative with his kills. The comic is filled with violent acts but does not show blood and gore and the kills are done in shadow, off panel or in a comedic way making the comic safe for readers of all ages. While this is a quick and fun read that does do a good job of feeling like it is a part of the film it’s based on, its small page count and rushed story also kind of hurts it as the kills fly by way too fast. The cover is fantastic and is just a drawn take of the film’s poster and is 100% eye catching for fans of the flick as well as Horror Comic readers. The comic’s interior art is done by William Clausen and is well done in spots as The Leprechaun looks great…the victims not so much, but to be fair it all does have a very underground comic book look and feel to it. Over all this promo comic is a fun read and captures the silly spooky nature of the film it was made to promote and is great for collectors who love comics based on films. Check out the art below to see the style of Clausen used in this comic.

So as you can see, Leprechaun makes a great character for comic books and while this Promo Comic nor the BlueWater Comics could do him full justice, they both show that with the right writer and artist a solid comic could be made and could help add to the character’s Horror legacy. I hope you enjoyed drinking your green beer and reading about this Horror Flick icon of murder on this update, and I also hope you get home safe and watch Leprechaun Returns on TV! And I have said it once and I’ll say it again, I do not understand why more companies don’t do promo comics to advertise their upcoming film…and I am not just saying this about Hollywood films, I am also looking at you Indie creators! I mean so many amazing Horror Movies have been put out over the past years that would make for a great comic series or promo that readers and fans would love to get their hands on…but yet nothing! That’s why I do want to send a big shout out to comic companies like Eibon Press, IDW, Blood Scream Comics and Dynamite who do deliver some amazing Horror Comics based on Horror Movies. For our next update we are going to stay in the world of Horror and do another “From Horror Movie To Horror Comic update as we take a look at the promo comic for The Giant Spider Invasion! So until next time, read a Horror Comic or three, watch a Horror Film or two and as always support your local Horror Host. See you next time for an arachnid good time!

From Horror Movie To Horror Comic: The Mole People

The Universal Monsters are in some of my most favorite Horror and Science Fiction films and have been something I have really been into since I was a very young kid. Looking over my list of comics to choose for a “From Horror Movie To Horror Comic,” I quickly decided on the Warren Photo Comic Magazine for The Mole People as I think they are very underrated when it comes to classic monsters and are sadly often forgotten when fans talk about great Universal Horror. So for this update we are going to showcase the Mole People and let them shine in the spooky spotlight of Rotten Ink. So if you’re ready, let’s go underground and visit with the Mole People!

Let’s first take a look at the Mole People who are the film’s bad guys and also good guys as they walk the line. The Mole People are a race of humanoid moles who walk upright and are underground dwellers who have been forced to be slave labor to the Shadow Dynasty who are a batch of albino people who think they are the only living people. The Mole People have a very odd appearance with a lumpy style skin and have big eyes plus weird mouths. The Mole People, while slaves, do act out and have ideas and motives of their own, and they are also very much a horde society that have a history of eating human flesh! The Mole People, while slow and lumbering, use their weird appearance to scare victims with their main source of killing coming from their massive clawed hands that can rip and tear human flesh with ease. They also can burrow deep underground to travel faster and can pull victims under with their raw power that is well above an average man’s. But while The Mole People are killing machines when pushed, they also have some intelligence that makes them loyal to not only each other but also those who are nice to them. But like all things the Mole People do have some weakness like sunlight that blinds them and can possibly also burn them to death. They can be beaten with items as well as killed like any normal human, as they are not immortal. And let’s not forget that they can also be kept at bay with a flashlight that hurts their eyes. The Mole People’s slowness also makes them easy to get away from while walking on land, and they can also be starved to death as they do need to eat in order to get energy like any normal living thing. So while Mole People are not the most brutal nor vicious monsters we have covered here, they still are very efficient when it comes to killing humans.

So now that we have taken a look at The Mole People, we should dig our way into the film that spawned them. As always we will be taking the film’s plot from our friends at IMDB and after I will share some production notes as well as my thoughts on the film as well as other cool little information about it. So if you’re ready, let’s dive into some talk about this great Universal Science-Fiction Horror flick!

The Mole People (1956)

“On an archaeological dig in Asia, Dr. Roger Bentley finds a cuneiform tablet referring to an ancient society, the Shadow Dynasty, that was destroyed. An earthquake soon after reveals an ancient artifact and the scientists discover the ruins of an ancient temple world on a remote mountain site. It leads them to an underground world, lost in time, where people have adapted to low light. The High Priest Elinu doesn’t welcome the presence of the new arrivals and wants them eliminated.”

In the 1950’s Universal had moved away from Horror Films that dealt with Dracula, Wolfman, Mummy and Frankenstein’s Monster and headed toward giant insects, atomic age and mixes of science fiction and horror. And in 1956 they made such a horror film when they released The Mole People to the cinemas all across America. The film was written by Laszio Gorog, and produced by William Alland with the directors chair going to Virgil W. Vogel who was originally an editor for Universal, and this was his first film as a director. The film would cast John Agar, Cynthia Patrick, Hugh Beaumont and Alan Napier as its leads and was one of the first Universal Monster films to show a woman disrobing, pushing the limits of what they did for their monster films. Rumor also has it that the film’s budget was $200,000.00 and its returns are unknown. When the film was done, it was released on December 1, 1956, and in some places it was shown with the jungle monster film “Curucu, Beast Of The Amazon”. The film was released the same year as these other classic Horror Flicks: Creature Walks Among Us, Bad Seed, Invasion of the Body Snatchers, Godzilla, Rodan and Indestructible Man to name a few. The film over the years has had a very mixed response and mostly is met with negative reviews by critics and fans that enjoyed when it was blasted on Mystery Science Theater 3000. The film went on to be released on home media like VHS and DVD and Blu-Ray in our and foreign markets.

The Mole People is a film I learned about at a young age as I used to read any and all books I could get my hands on that featured classic Universal Monsters and many of them featured The Mole People. One of the books I remember the most was the Crestwood House book that was all about The Mole People and acted almost as an adaptation of the film. Sometime later I can remember seeing the film on broadcast TV and was drawn in by the Mole People themselves and was angry when the Shadow Dynasty were on the screen being mean to them. Some years later I found the film on VHS at an event called Belmont Days from a small video store that had a ton of Horror Films for sale on VHS when it was still king of home media, and in 2014 I got the film on DVD thanks to Universal’s Vault series of releases. Over the years I have shown Mole People to friends who enjoy classic horror and even have toyed with the idea of doing a fan film sequel to it…but that will never happen. So while this film was released many decades before I was born, for some reason it has always been in my life…for some reason I also remember my Mom talking about this movie when I was a youngster! So if you have not seen this film, do yourself a favor and track it down and give it a watch.

So as you can see, the Mole People, while not bloodthirsty, can and will murder and eat humans when the time is right! We also learned a little about the film and my connection to it, and now we are at the point of reviewing the photo comic magazine. I want to first thank Mile High Comics for having this magazine in stock and making this update possible. I need to also remind you all that I am grading this comic on a star scale of 1 to 4 and am looking for how well the comic stays to the source material, its entertainment value and its art and story. So if you’re ready, make sure to grab your flashlight to fight off the Mole People and let’s get into this From Horror Movie To Horror Comic update.

Mole People # 1  ***
Released in 1964       Cover Price .35     Warren Publishing     # 1 of 1

Researchers Dr. Roger Bentley, Dr. Jud Bellamin, Dr. Paul Suart and Prof. Etienne Lafarge along with others are in Asia looking for artifacts from a lost civilization, and get their dreams fulfilled when they find a tablet and lamp connected to them. They head to the mountains as that is where their finds lead them, and after an earthquake happens at the sight of ruins, a hole opens up and Dr. Suart falls to his death and Bentley, Bellamin and Lafarge are trapped underground! Once down in the dark only armed with a flashlight, they wander the caves and find buildings from the old world, and when they decide to get some rest, a race of humanoids called the Mole People attack while they sleep and drag them underground. When they awake, they are met by two albino guards who take them to see the High Priest who orders them to death as he claims they do not have the food to feed them! Our heroes fight and escape their albino captors and find themselves in a place that has Mole People all around who are being treated like slaves by albinos with whips. While trying to escape, Lafarge is killed by a Mole Person and Bentley and Bellamin figure out that the flashlight hurts both the albinos and Mole People giving them power and are now in the favor of the albino king. Once back at the kingdom Bentley meets a young normal servant girl named Gizelle who he saves from a whipping, and she is given to him by the King as a gift. The pair of doctors try to figure out a way to return above ground and even save some Mole People from being beaten by the albinos, but while they save them, the flashlight also goes dead as its batteries die! The High Priest dislikes the outsiders and thinks they are not gods like the King does but just normal guys and even sacrifices a group of woman to the burning light in order to please their god. The High Priest is able to convince the King that the Doctors are mortal and not gods, and they drug their dinner and set to murder them. But luckily for our heroes, Gizelle runs into the caves and tries to get help from the Mole People who have grown to respect the doctors for saving them from beatings and death sentences. The Mole People attack and kill the albinos, and the Doctors along with Gizelle escape the underground and once back to normal life another earthquake hits and a stone falls and kills Gizelle before she could even live a few moments of life above ground and our tale ends.

This is one cheesy and yet fun Photo Comic that blows through the movie really fast and delivers an entertaining quick read for readers that holds true to the film for the most part, but also adds its own touches with a few twists not from the movie. Our story has a group of doctors on the hunt to find a lost city that end up falling into a hole in the ground that leads them to the lost city as well as to the people still living there and a race of humanoid mole people. The doctors must fight for their lives to find away to escape, and their only weapon is a flashlight that is getting low on power! Dr. Roger Bentley is our main hero and the one with the flashlight. He is also the one who is saving peoples hides from beatings as it’s clear he does not like the albino people of the lost city and their cruel and selfish ways. The one down side to Bentley is that at times he as well comes off as kind of full of himself, and I think gets a slight god complex as he knows he has the power. Dr. Jud Bellamin is a smart man who clearly follows the leader as he is a fish out of water when it comes to the underground world. Prof. Etienne Lafarge is an old goof who leads himself to his own death and also is the weak link of the group and his dead body is also the one who leads the albinos back to the headhunt of our heroes as it showed they are also mortal. Slave woman Gizelle, who is normal, is also very sweet and is the true hero of the story as she is the one who gets the Mole People to help the doctors. The Albinos are very cruel and keep slaves, beat and kill those who cross the King and treat the Mole People like scum. The High Priest is the worst of the albinos as he is very much the one who pushes for cruel punishments and hates the power the Doctors and their flashlight had over the King. The Mole People are starving and will attack and kill people and yet also have a loyalty to them as they will help those who help them. Some of the changes made in the magazine are noticeable and are nice surprises, and I will not spoil them for you readers as you should read it and catch them yourselves. The comic downplays the horror elements and does have some blood via a massive scratch done by one of the Mole People and does have death as many albinos die during the final attack. The cover is eye catching and is that classic 60’s Horror Magazine look, the picture layouts is done by Russ Jones who also did the script for this photo comic. Over all this is one of the better Photo Comics I have read and is cool retro Universal Monster item for a Science Fiction Horror Movie that is often forgotten. Check out the panels below to see they style used in this magazine.

So while many comic readers don’t like Photo Comics (Magazines) and others view it as a dated style of comics, I for one find them fun and enjoyed reading this one. Plus it’s been very fun talking about the Mole People as well as the first time I have covered Warren Publishing here at Rotten Ink. But I fear it’s time we walk away from the underground world of the Mole People. We will be heading to the old west for my next update as we take a ride with the one and only Rawhide Kid from Marvel Comics! So until next time, read a Horror Comic or three, watch a Universal Monster Movie or two and as always support your local Horror Host. So hope you’re ready for a western done Marvel style!

Star Trek II: The Wrath Of Ink!

Rotten Ink…The Final Frontier…This Is The Blog Of A Grown Up Monster Kid….His Mission Is To Write About Comics, Movies and Horror Hosts…And To Boldly Read And Review Lots Of Fun Comics!! Welcome to Rotten Ink. For this update I felt like I really had some unfinished business with the world of Star Trek. While I covered the original TV series and the Motion Picture, I did not get to really talk about the sequels that starred the original cast, and I think now is the time to travel back to space with the crew of the U.S.S Enterprise and take a look at the most well respected and loved film in the original crews sequels, Star Trek II: The Wrath Of Khan! During this update mission we will talk about the film, its legacy, merchandise, my thoughts on the film and will of course review the IDW adaptation of the film! So put on your none-red Star Fleet Uniform and let’s take a space journey with Kirk, Spock, McCoy and the rest of the crew.

So to do this update right, we must take a look on the screen and talk about the film in general. For that we will be taking the film’s plot from our pals at IMDB and then after I will share my thoughts and memories of the film from over the years. And no joke, my friends and readers, I am really looking forward to talk about this film as well as all the other sequels in future updates as for me Star Trek films are as big of events as Star Wars films. So if you’re ready, I am ready to discuses the Wrath of Khan!

Star Trek II: The Wrath Of Khan (1982)

“It is the 23rd century. Admiral James T. Kirk is an instructor at Starfleet Academy and feeling old; the prospect of attending his ship, the USS Enterprise–now a training ship–on a two-week cadet cruise does not make him feel any younger. But the training cruise becomes a deadly serious mission when his nemesis Khan Noonien Singh–infamous conqueror from late 20th century Earth–appears after years of exile. Khan later revealed that the planet Ceti Alpha VI exploded, and shifted the orbit of the fifth planet as a Mars-like haven. He begins capturing Project Genesis, a top secret device holding the power of creation itself, and schemes the utter destruction of Kirk.”

Gene Roddenberry, the creator of Star Trek wrote a sequel to his first motion picture that would have had Captain Kirk and crew having to set history right after the Klingons change events on Earth going back in time. Paramount Pictures however was not impressed with his script and the poor performance of the first film in their eyes that they also felt had too big of a budget. After fights over the script, Paramount booted Roddenberry from the film, and Harve Bennett was called to executive produce the film. The downside of Bennett was that he was not a fan of the series and had to binge watch the original series after which he selected the character Khan Noonien from episode Space Seed as the villain for his film. The film’s script went through lots of drafts that even at one point had Kirk’s son being a leader of rebels, and finally they all agreed on a script that was done by Jack B. Sowards and Nicholas Meyer and production started. The film’s shocking moment was having Spock die early in the film, but after it leaked to the press, this was twist was changed to the end of the film. Nicholas Meyer also directed the film, and production started on November 9, 1981 and made Paramount happy as the film’s budget was way smaller and even their TV branch was put in charge of its over all production. When dailies started to come in, Paramount knew they had something very special and that this film would make up for the failure of the first film in their eyes. The film’s production like all bigger blockbuster titles had a few hiccups but over all came together very well and was released in theaters on June 4, 1982 and was hit for Paramount Pictures as it was the 6th grossing film of 1982 in America bringing in $78,912,963.00 on the budget of $11 million. The film beat out many great titles that year like First Blood, Annie, Poltergeist, Dark Crystal, Friday The 13h Part III, Tron, Blade Runner, Road Warrior and many more cult and respected films. Say what you will about Star Trek, but the proof is in the Box Office that this is a film series that has had ups and downs but will forever have a place in the hearts of the Trekkies worldwide.

As I stated before, I grew up a Star Trek fan and can remember the excitement when I first got to watch Star Trek II on cable. The one thing I cannot remember was if it was on HBO or Cinemax as that part of my memory is fuzzy. I remember that we all sat as a family and watched it, and after it was over, I can remember playing with my Mego 3 ¾” Star Trek Kirk Toy and having him take on the Empire and try and outsmart Darth Vader like he did Khan in the movie I had watched. It was a film that I would watch anytime I would find it on cable and can even remember asking my Mom to check the cable book to see when it was playing. I can also remember watching the film on VHS with my aunt Theresa, my uncle Thurman and my brother Bryan at my grandparents’ house as my Uncle was a big Trekkie! In the 80’s I feel like Star Trek films were events and would get old and young excited to get to the cinema, and these were films I can remember talking to classmates about. And this film was one of the biggest of Trek movie talk as the topic of Khan being the biggest threat to the crew and being the most iconic of their villains always being a hot topic, plus let’s not forget the most important moment of this film and that’s the death of Spock! I have had so many amazing talks about this film as it’s one of the best in the series…but this is not my favorite of the Trek films, and you readers will have to wait till I review it to find out. Star Trek II is a film I have bought on VHS and DVD and is a film I watch about once a year either at home or at work. The one thing that has always worked well for me about this film is that it always feels as if a cloud of gloom is overhead and the threat of Khan is very high and really set the tone and pace of future films in the series and showed that Star Trek could also deliver Science Fiction action just like Star Wars and Flash Gordon. Star Trek II: The Wrath Of Khan is a very iconic and well-respected Sci-Fi film and is one I would recommend seeing if you have not. Plus I am not going to lie, actress Kristie Alley was really hot as Starfleet crewmember and Vulcan/Romulan Saavik. I thought so as a kid and still will stick by that in 2019!

The most iconic scene in the movie is of course when Captain Kirk screams the name of Khan with pure anger. And like all iconic scenes, this has been parodied a number of times on many different movies and TV shows like Robot Chicken, In Living Color, Big Bang Theory as well as many more internet parodies. It’s amazing to think how impactful this scene is as many movie watchers and lovers know this scene and some have gone on to say it’s one of William Shatners best performances. So right now I want you to take a deep breath and scream “KHHHHAANNNNNNN”…felt good didn’t it?

Star Trek II: The Wrath Of Khan was a big hit and like all big box office hits, this film had its share of cool merchandise over the years that was and is very cool for Trekkies who can not get enough of Khan and his Wrath. We got books, magazines, soundtrack, toys, posters, shirts and even playing cards and so much more, much of which I owned when I was younger. Growing up I had the movie on VHS that as I stated before would watch pretty often. I had the paperback novelization that I read while living in Waynesville and later when older I even had the Playmates action figure of Khan! And all of the above stuff that I owned then, I still own now and the one thing I do want is the soundtrack on CD as I find the score by James Horner to be very good as is all of the scores for the Trek movies. So if you’re a fan of Star Trek II and are a collector, there are lots of cool items for you to collect.

For many Trekkies Star Trek II: The Wrath Of Khan is their favorite film in the franchise and is the bar that all the sequels that followed had to live up to and for sure that bar was set high due to this sci-fi motion picture as it’s a true classic. And shocking that this film did not get a comic adaptation until 2009 thanks to IDW who knew the world needed one. And thanks to Game Swap Kettering and Lone Star Comics, I was able to get copies of these issues for this review. The voice on my communicator is wanting me to tell all you red shirts that I grade these comics on a star scale of 1 to 4 and am looking for how well the comics stay to the source material, its entertainment value and its art and story. So if you’re ready to battle Khan with the crew of the Enterprise, let’s boldly go where IDW allowed us to go thanks to this three issue comic mini series.

Star Trek II: The Wrath Of Khan # 1  **1/2
Released in 2009     Cover Price $3.99     IDW       # 1 of 3

Saavik is training to be a Captain for a starship and fails her test under the watch of Admiral Kirk who is feeling his age as well as really wants to leave the his promotion as he would rather be a Captain again and be with his crew on the Enterprise. Meanwhile Checkov has landed on a planet and soon finds himself as the prisoner of super engineered human Khan! And while Kirk is hanging out on the Enterprise with his old crew, Khan is controlling the mind of Checkov who is now tricking his way into taking the Genesis project away from Carol Marcus and her crew including Kirk’s son David he had with Carol! After Carol calls Kirk who denies the order to take Genesis and he takes back over the Enterprise and heads to Carol to get answers.

It’s amazing to think it took over 20 years for comic readers to get an adaptation of Wrath Of Khan, and I must say in this first issue IDW delivers the goods and fills that gap that used to be void of this comic in the collection of Star Trek issues. This issue’s plot has Kirk wanting to take his role of Captain of the Enterprise back and Khan who blames Kirk for abandoning him on a planet that has been left baron for decades. Now Khan is playing a game and is luring Kirk and the Enterprise where he wants them with a trick of taking the world builder tech Genesis. Kirk in this issue has gotten a promotion some time back and is now an Admiral for Starfleet when all he really wants to do is be a Captain for the Enterprise as he misses his friends and crew as well as the thrill of exploring space. Kahn is filled with anger and yet is calm and just wants his revenge on Kirk who he really does blame for everything that went wrong for him and his people that Kirk sent into space decades ago. Carol and her son David are the heads of Genesis and are also at odds over Kirk as the young man has lots of built up anger toward his father. One thing that puzzles me is when Kirk keeps calling Saavik a Mr. as clearly she is a she! The cover is amazing and is very eye catching for fans of Star Trek and the interior art by Chee Yang Ong is great stuff and characters look like the actors who played them. Over all this first issue is a great build up for the action that is to come and makes me look forward to reading the next issue.

Star Trek II: The Wrath Of Khan # 2  **1/2
Released in 2009     Cover Price $3.99     IDW       # 2 of 3

Kirk along with Spock and McCoy are watching a file about the Genesis Project and how in the wrong hands it could wipe out a whole planet killing everybody along with it. As Kirk and the Enterprise are about to set out to get answers of who really gave the order to hand over the project, another Starship appears and attacks taking out power and when coming on screen Kirk finds out that Khan is the man in the other starship and he wants Kirk to surrender as well as Genesis! Kirk stalls for time and in turn sets up Khan and damaging his starship as well leaving both Captains coming up with battle plans and becoming a game of chess in space. The Enterprise rushes to the Genesis labs and finds many scientist dead as well as the Genesis project, Carol and David are all missing. Kirk, McCoy and Saavik beam aboard the lab and they find Checkov who seems to be confused and things seem very bad. Kirk ends up figuring out where Carol is hiding and finds that she as well has Genesis & David with her, but it was a set up as Khan still had Checkov under control and beams up Genesis to his ship and thanks to McCoy’s fast actions he breaks the hold he had on Checkov. Now they are all stuck in the lab! But after hours pass Spock is able to fix the transport room on the Enterprise, and now Kirk is on a mission of revenge.

Our second issue has Kirk and Khan going after each other and both using their minds in order to get the upper hand. While Kirk is blindsided in this first encounter, it’s his years of being a Captain that turns the tide and allows him and his crew to figure out what to do from here by giving them a few moments to plan. And in the second chess move, Khan gets the upper hand and outsmarts Kirk and even is able to get his power monger hands on Genesis. In this issue Kirk goes from gaining is confidence back, to doubting himself due to age to getting into rage mode. Khan goes from being cocky to rage filled to blood thirsty showing that he really is a madman who only cares about his own goals and his own revenge plan. I like how David Marcus also has lots of build up anger toward his father Kirk, and this also adds a layer of stress to Kirk who has lots on his plate this far. The Enterprise Crew seems to be around but also take a back seat in the story with even Spock not being a major focus…and that’s shocking as Spock is one of the biggest characters in the series. This issue also brings in a good amount of Star Trek style action and brings us readers to a great point in the story where in the next issue Kirk and Khan’s blood feud will come to an end. The cover I have for this issue is okay and is a photo of Spock from the movie and the interiors once more are being done by Chee Yang Ong and is good stuff. This second issue is as good as the first and is a great way to lead us to the final issue in this adaptation series, so with that let’s take a look at the final issue.

Star Trek II: The Wrath Of Khan # 3  **1/2
Released in 2009     Cover Price $3.99     IDW       # 3 of 3

Kirk and the rest are now back on the Enterprise and must make a run for it fast as Khan and his starship are gunning for them. Kirk figures out that if they enter the nebula Khan’s shields would stop working and after sending a message that mocked Khan, the madman follows and after being out moved and outsmarted, his ship is blown up but not before the Enterprise also takes a hit that leaves the engine room to fill with radiation. Before he dies, Khan triggers the Genesis that is about to go off that would leave not only Khan dead but also the whole crew of the Enterprise, and worse Scotty cannot fix the warp engine due to the radiation! Spock takes things into his own hands and enters the engine room and fixes the core and allows the Enterprise to get away before Genesis goes off. Kirk rushes to the engine room and is able to share some words with Spock who passes away from the radiation. Kirk and the crew send Spock’s coffin into space with it landing on the new planet created by Genesis and Kirk feels the sadness of losing his best friend but does gain the respect of his son David. In the end, Kirk is back and has found himself once more and is ready to explore space.

This final issue brings us the final showdown between Kirk and Khan that shows no matter how smart and evil Khan is, he is still outclassed by the wise Kirk. I also like that this comic really does make it clear that both Khan and Kirk have massive egos and each does not want to lose to the other. The whole main part of this final issue is the fight between the two. Their weapons of war are starships, and the odds are even. Only Kirk’s experience is what wins the day. The Genesis Project is something that could really help the universe by given new places to live as well as food supplies that could last forever, but as seen here, in the wrong hands it can be used as a weapon of mass destruction and can kill the population of a whole planet if used that way. Another of the subplots going on in this issue is Carol and David having to get the help of Kirk who is the one time lover of Carol as well as the father of David who they both don’t speak to. And yet we also have the fact Kirk is having issues about getting old as he wants to be doing more for the Starfleet than just being an Admiral. And finally, the major story of this series is that fact Spock puts his life on the line and is willing to die in order to save the Enterprise Crew that he views as his friends. Sad stuff as Kirk and Spock speak for the last time (well in this comic) as Spock slowly dies. Over all this comic adaptation of The Wrath Of Khan is well done and captures the mood and vibe of what many think is the best Trek movie. The pacing is well done and keeps you on your seat for the final battle as Khan is so revenge thirsty that you want to see him be brought down…even if you do understand why he is so angry with Kirk. The photo cover on this one is as well okay, but I would have liked to have gotten the one with art. The interior art is done by Chee Yang Ong and is very good and as I said before he captures the look of the characters really well. Over all, this is a fun and great comic mini series and is a must read for fans of the film it’s based on. Check out below for the style of Chee in this issue.

So it looks like our space adventure with the crew of the Enterprise has came to an end, and next year we will take a look at DC Comics adaptation of Star Trek III: The Search For Spock! Star Trek really is a blast to the past for me and brings me back to my youth when Trek was very popular in our household. But for our next update, we are going to dive into the world of forgotten superheroes as we take a look at the masked hero Rottweiler and maybe a few other surprises. So until next time, read a comic or three, watch a Sci-Fi film or two and as always support your local Horror Host. See you next time for a indie hero good time!

From Horror Movie To Horror Comic: Konga

Giant Monster Movies were all the rage back in the 1960’s and many followed in the giant footprints of the 1933 film King Kong and none followed more closely than the 1961 film Konga as it as well featured a giant gorilla running wild in a major city! And I figured covering the first issue of Konga by Charlton Comics would be a great way to talk about the film and its title monster as it’s an adaptation of the movie! So if you’re ready to once more take a look at a giant hairy movie monster with me this winter and take another journey on a From Horror Movie To Horror Comic update. It’s a great honor that I bring you this look at Konga, a very underrated monster movie.

We need to take a look at Konga himself before we dive into the film that he comes from. Konga was a baby chimpanzee from Africa who is brought to London, England by Dr. Charles Decker, a famed botanist who has discovered a serum to make planets and animals grow very large. Konga is the test subject for this serum and grows to the size of a full-grown gorilla, and, after being given too much of the serum, he grows to super size! Konga has a very violent streak and uses his brute strength and power to choke the life out of humans when he’s gorilla-sized and has been given the orders from Decker. As a giant ape, he has no loyalty and wants to crush and smash people in his way. Konga’s way of killing includes choking, throwing and crushing, and he can easily do so no matter his size. He not only can use his power and strength to dispatch his victims but can also use his massive size to his advantage as he towers over buildings and homes and can carry a person in his hands like a doll. But while he is a giant and strong, Konga does have weaknesses as he can be hurt by weapons like guns and rockets and while large, it also appears as if he loses some of his smarts and becomes confused easily, leaving himself open to attacks. But while he can be stopped and killed, Konga is still a force to be reckoned with and is a killer primate brute who don’t realize he is a killing machine frightful bad guy.

So as you can see, Konga is a massive powerhouse of fury and animal instinct who is a giant monster who can smash and crush us humans. But now that we all know about Konga the giant monkey, we now have to take a look at the movie he stars in! So I will be taking the film’s plot from our pals as IMDB and after I will talk a little about my connection to the film as well as some cool other facts. So let’s learn a little about Konga the film that was supposed to be the first colorized version of King Kong.

Konga (1961)

“Dr. Decker comes back from Africa after a year, presumed dead. During that year, he came across a way of growing plants and animals to an enormous size. He brings back a baby chimpanzee to test out his theory. As he has many enemies at home, he decides to use his chimp, ‘Konga’ to ‘get rid of them’. Then Konga grows to gigantic proportions and wreaks havoc all over the city of London!!”

Anglo Amalgamated and American International Pictures teamed up in around 1959 to make a release of the film Konga thanks to British producer Nat Cohen asking American producer Herman Cohen to make another Horror Picture in the U.K. after “Horrors of the Black Museum” was a major hit in theaters and drive-ins. Herman, who was a big fan of King Kong, decided that he was going to make a colorized version of a giant gorilla this time around running wild in London. So Herman, along with Aben Kandel, wrote the script to the film that was being called “I Was A Teenage Gorilla” and was later changed to Konga. Herman would hire John Lemont to direct and brings on actors like Michael Gough, Margo Johns, Claire Gordon and Paul Stockman as the man in the Konga suit. Gerard Schurmann was brought in to score the movie and was filmed in Croydon and Merton Park Studios in England. With a budget of $500,000.00 production went by pretty easy and smooth and was ready to take cinemas by storm. For marketing the film Herman also paid RKO Pictures a pretty big sum in order to use the words King Kong on his posters and marketing. When released, it was shown on a double feature with the film “Master of the World” and would go one to be a cult classic film. The year of Konga’s release, it was joined in the cinemas by such other Horror titles like Curse Of the Werewolf, Doctor Blood’s Coffin, Beast Of Yucca Flats, Gorgo, Reptilicus, Snake Woman and Brainiac to name a few. When released the film also spawned a comic book series as well as a paperback novel adaptation.

My first memory of Konga was watching it on cable when I was a youngster as I think it was on TBS and I was glued to it as it was like a generic King Kong.  Over the years, the film faded in my mind and it was not until MGM released it on DVD and VHS that I remembered it and was able to watch it again, and man did I enjoy this cheesy and fun giant monster run amok film! While Konga is no King Kong, he is a nice knock off version that offers some great moments and a super sad ending that will leave an image of a street and a small chimp forever burned into your memory. Another way I remember Konga is the comic series that was released by Charlton Comics in the 60’s as I would see them at comic shops and even in a few antique stores growing up. The thing about Konga is that he is not super respected by fans of Kiju Films as many do not even put him in that category of Horror and Science Fiction Films and look down upon his rampage and size. Now most of the Kiju we think of all come from Japan or some weird island and are the likes of Godzilla, Gamera and King Kong and most lists of these films leave Konga off, but I feel he belongs.  While smaller than many of the above mentioned, he still is a giant monster on a rampage. So here right now on Rotten Ink we are going to give Konga the respect that is long over due and say he is a Kiju Monster and that his film is entertaining and underrated.

So now that we have taken a look at Konga as a monster and the film that spawned him, I think we should dive into his comic adaptation released by Charlton Comics in 1960 a short time ahead of the films release as a tool to promote it before it hit theaters and drive-ins. I want to thank the Ebay seller who had this comic in stock and made this update possible. I also want to remind you that I am grading this comic on a star scale of 1 to 4 and am looking for how well the comic stays to the source material, its entertainment value and it’s art and story. I also want to say that I am only reviewing the first issue in this series as it’s the adaptation of the film and it would cost me a small fortune to get all the issues in this series as well as its follow up series. So if you’re ready, let’s take a look at Konga in the world of comics.

Konga # 1 ***
Released in 1960       Cover Price .10      Charlton      # 1 of 23

Doctor Decker along with his pilot are flying over Africa when the plane starts to have issues. Before it crashes, Decker is able to jump out and is found by a small monkey named Konga who takes him to a village of giants. While with the giants, Decker discovers a plant that brings growth when eaten and can bridge a link between planets and humans! Decker returns home to London with some seeds and Konga and has some experiments in mind that will help mankind become more powerful than ever before. Along with his wife Margret, they inject Konga with some of the seed serum and he grows showing this experiment will be a success, but also Decker must return to his teaching job and takes on a new student aid named Sondra who’s boyfriend Bob is not happy nor is the Dean of the school who thinks Decker’s claims of planets and man being linked looks poorly on the school and says he is going to request that Decker takes time away. Decker returns home very upset and injects Konga with more of the serum and now the monkey has turned into the size of a gorilla and he picks up the anger of Decker for the Dean and escapes his cage and kills him! After the attack, Decker meets a fellow scientist who is coming close as well on figuring out planet growth being used on humans and once more after Decker thinks bad of this man Konga escapes and kills him! The crimes are going unsolved and when Sondra steps down from being Decker’s aid due to her boyfriend Bob he once more returns home and upset with the young teenage lovers, and Konga once more escapes and this time injects himself with more serum and grows to be giant and busts the house in pieces. By this time Decker has figured it out and is able to call the police before he and his wife are killed by the house falling apart after Konga busts out. The massive Konga is now in the streets of London and thanks to the Police and Army, they are able to kill the beast who shrinks back down to small monkey size.

This comic was used to help promote the movie a year before it was released, and boy is this story way different in this comic than in the movie! The plot here has Doctor Decker returning from Africa with the idea to help mankind with his experiments done with the seeds of massive planets, and when using his friend, a small monkey, as the test subject the primate grows and picks up the anger thoughts of his friend and kills his enemies for him. But things really get out of hand when the monkey injects himself with lots of the serum and grows into a massive ape that terrorizes London and must be brought down by the army. So as you can see, in the comic Konga is the true bad guy who kills and is out of control with Decker being a kind man who just wants to help mankind, while in the movie Decker is the one who uses Konga to kill and he himself is a sleaze ball with Konga being the gentle one who is forced to be a massive ape. Plus in the comic, Margret is Decker’s wife when in the film she is his assistant who loves him, not to mention in the comic he only wants Sondra to help in in class, while in the movie he wants to have relations with her! Decker here in the comic world is a nice guy who took a bad situation like a plane crash and turned it into a plan to help mankind. He has a big heart with lots of goals in life and wants nothing more than to get his experiments done and become famous for doing something that a positive. Konga starts off as a small ape who is friends with Decker as he watched after him in Africa and comes to London to be a help and soon turns their friendship into a gateway to murder as the more Konga grows, the more bloodthirsty he gets. Just like in the movie, Konga dies in the comic when he is fired on by the Army and Police and in death shrinks back down to his normal size. The comic does not have any blood or gore and the horror element comes from the off panel deaths and the fact it’s a giant ape running loose in a city! The cover for this issue is great and classic and showcases Konga bringing in fans of giant monsters as well as King Kong fans. The interior art is done by comic artist legend Steve Ditko and is really great early comic art from a man who first drew Spider-Man for Marvel and by all accounts co-created him. I think about it two years after this comic that Ditko did Amazing Fantasy # 15. Over all, this is a great early Horror Comic that was based on a film that never has gotten the respect it should. Check out the artwork below to see some of Ditko’s early comic work.

Konga is a cool cult classic film that is also a great comic book that is worth checking out in both forms of media. And think, while the film was only one, the comic series lasted 23 issues and had a second series that lasted 3 issues. So if you love Konga, his giant sized adventures continued in ink for you to enjoy. So while we must leave London and Konga behind, our next update will place us on Christmas Eve and after some major thought and eliminations I decided that I will take a look at Garfield’s Christmas Special as well as have a NES Challenge of the unreleased Garfield video game! So until next time, read a comic or three, watch a giant monster movie or two and as always spend some time with your loved ones. See you next update for a fun time with Garfield as well as the NES.

From Horror Movie To Horror Comic: Darkness Falls

Many Horror Movies take inspiration for their plots from sources like real life tragic events, fever inducing nightmares and even folklore, and one of the biggest movies that did this when I was in my early 20’s was Darkness Falls, based on the legend of the Tooth Fairy turned up a notch to scare kids and terrify movie goers. In the early 2000’s Horror was making a major comeback at the cinema with lower budget horror bringing in extra cash for studios much like today with Blumhouse setting lower budgets but making great profits, and Darkness Falls was one of these films released. Fairy Tales can be scary, and the Tooth Fairly can be super scary when she not only takes your lost tooth but also your soul! So if you’re ready like I am, lets take a grim trip into this From Horror Movie To Horror Comic update for Darkness Falls.

Before we get into the film itself, we need to take a look at the killing monster, Matilda Dixon or, as her victims call her, The Tooth Fairy! Matilda was a kind older woman who would give gold coins to the children of the town when they would lose their teeth as an act of kindness earning her the nickname The Tooth Fairy. When a house fire left her face burnt and sensitive to light, she would walk the streets at night wearing a porcelain mask, and when two children go missing she is blamed and hung for a crime she didn’t commit as the kids were found alive and well. Before her death, she cursed the town and the children of it.  When they lose their last baby tooth and if they look her in the face, it brings a terrible death to them as she is now a vengeful spirit. Matilda is a supernatural being who enjoys killing and placing cold fear into her victims with not only her appearance but also her sinister screams. She lurks in the shadows and pounces on those who don’t follow her rules of never looking at her when she comes for your last tooth. Matilda can fly and glide through the air to track and hunt down her victims, and once she has them, she does use her looks and noises to put the fear into them before she uses her hands to claw and mutilate. She also uses the darkness to her stalking advantage as she must stay in the dark in order to get her target. Her weakness is light; whether it’s the glow of the sun or the light of a bulb, she cannot stand it as it burns her skin and enough of it will kill her and send her soul where it belongs. So while she has a pretty big weakness in light, she is one murdering supernatural being in the dark making The Tooth Fairy a really dangerous killer for all who has not followed her rules.

So as you can see, Matilda Dixon was a woman who turned her kindness into vengeance when her own town turned on her due to her horrific appearance.  Now that we have taken a look at her killing ways, we need to dive into the movie she stars in and for that our friends at IMDB will bring us the film’s plot and after that I will talk a little about the film’s production as well as my thoughts on the film. So if you’re ready, we have to stay in the light and whatever you do, don’t look at her face!

Darkness Falls (2003)

“A vengeful spirit has taken the form of the Tooth Fairy to exact vengeance on the town that lynched her 150 years earlier. Her only opposition is the only child, now grown up, who has survived her before.”

Darkness Falls was released in 2003 and was directed by Jonathan Liebesman and was a team up production of American and Australian companies. The film was written by John Fasano and Joe Harris and was a twisted supernatural reimagining of the Tooth Fairy legend and was riding the popularity of The Ring that was released a year before it. It starred such actors as Chaney Kley, Emma Caulfield, John Stanton and Antony Burrows played Matilda Dixon aka Tooth Fairy. The film had a budget of $11 million and brought in $47,488,536.00 worldwide making it a hit for Sony. The film also was pretty well liked by critics and fans making it odd that a sequel was never made. The film was released during a Horror Movie boom as 2003 also saw the release of such films as Freddy vs. Jason, Jeeper Creepers 2, Wrong Turn, Underworld, Texas Chainsaw Massacre, Willard, House Of 1000 Corpses and Beyond Re-Animator to name a very few showing that 2003 was a good year for fans! Darkness Falls also had some merchandise released like movie poster, soundtrack, novel adaptation, an action figure and of course the comic book. So while it’s not a major franchise, it’s still one that has made its mark on the world of Horror Movies. I want to also bring to you readers’ attention that in the original script, The Tooth Fairy only showed up in the final act of the film and her appearance was way different from the one used in the final film.  If you want to see her original look, just get yourself the Movie Maniac figure as that was supposed to be her main look in the film before the change.

Darkness Falls is a film I can remember hitting theaters and the ads being on TV and posters in the theaters, and while I was very much into going to the cinema to see films, for some reason I skipped seeing this one. Honestly I think I skipped it to see Final Destination 2 as they both were released in the same month. It would be when it hit VHS and DVD that I finally watched the film as I was working at Blockbuster Video and rented it and remember watching it with my brother and I found it to be a pretty good shocker with some cool effects and a spooky monster. Once watching it I ended up getting the film on DVD and still have it in my collection to this day, and will dust it off from time to time to watch. I also ended up getting the comic book from Dark Horse Comics as well as have the music score CD that I play on the Halloween edition of Alpha Rhythms on WYSO from time to time. For me what works very well in this film is that it has a very mean and dark tone as our main villain takes joy in scaring and killing children, and I like that she does not speak and only screams and moans making her come off way more creepy. Over all while this film is not groundbreaking, I do find it to be a very entertaining and spooky film from the early 2000’s that has built up a solid cult following and is one that should have gotten a sequel as one was talked about but never made.

So now that we have refreshed our memories of Darkness Falls and its supernatural killer The Tooth Fairy, we are going to take a look at the prequel comic released by Dark Horse Comics based on the films folklore. It’s really cool that a comic was made about this film as it’s a Horror Movie that really does lend itself to be one. And I want to thank Lone Star Comics for having this comic in stock and want to remind everyone that I grade on a star scale of 1 to 4 and am looking for how well the comic stays to the source material, its entertainment value and its art and story. So lets stay in the light and enter Darkness Falls…and for the love of comics whatever you do don’t look at her!

Darkness Falls # 1  **1/2
Released in 2003       Cover Price $2.99     Dark Horse     # 1 of 1

Emma and William live in the small town of Darkness Falls.  The year is 1841, and the young man has lost one of his baby teeth and they are on their way to visit Matilda Dixon to trade the tooth for a tasty treat! Along the walk, the kids talk about how five years earlier Matilda’s husband Sonny died at sea. As they continue to walk, they run across youngster George who tells them how a year ago Matilda’s house was set on fire by accident when kids were snooping. The fire left her terribly burnt and forced her to wear a mask made of porcelain to hide her burns and disfigured face. The children were scared of her now, and she would have to leave the treats on their porches as they left their lost tooth there as well. William and Emma leave George behind after his story as it’s getting later. William’s father is mad and thinks that Matilda has done something to his son and gets a mob together to do something about her! Meanwhile William and Emma get to her house and meet her, and as she gives them treats, the mob shows up and hangs her for “killing” the kids only for them to find the kids okay and all of them are guilty of murder!

This comic is a great prequel to the film and really helps build the mood and world that the film was creating as the plot of this is all about the sad life and tragic death of Matilda Dixon. The thing that works great for this comic is that it makes you feel bad for Matilda as she was murdered for no reason and she really just wanted to make kids happy as she was just a very lonely person who always wanted to have her own children, and a town full of superstitious judgmental people took her life over. Emma and William are two kids who are on their way to visit Matilda to get baked treats for a lost tooth. It’s clear they are best friends and each kind of has a crush on the other, and while they do want the treats they also want to see her appearance as she is kind of the town’s boogeyman. And while they are the cause for her murder, they by no means meant for it to happen and just really lost track of time. William’s dad is a terrible person who bullies not only his family but also the townsfolk to do what he wants as he is a mean spirited person with a bad attitude. George the little kid who is semi friends of Emma and William is also a little jerk as he is the one who plants it into the adults mind that the kids are missing cause of Matilda even though he knows that the woman has done nothing wrong. Matilda Dixon is a woman who had faced all types of tragedies as she lost her husband to death by sea, was never able to have children of her own, has been treated like a weirdo by her neighbors and has been burnt due to plundering kids setting a fire in her home…in other words, she is the victim of this comic tale as she is murdered for no reason. Matilda is really just a lonely woman who enjoys being around youth as she fills it gives her a real purpose in life, and because of the evil deeds done to her they are the ones who forced her to become a monster! The comic’s horror comes from atmosphere and not blood & gore as the comic is pretty much bloodless but still delivers some chills. The cover is cool but is also just the film’s poster making it kind of lame as original art would have been better. The comics interior art is done by Charlie Adlard and is pretty great stuff! Over all this is a solid good Horror Comic based on a Horror Movie that could have made a really good mini series if Dark Horse would have been on board to do so, and I would say if you enjoy folklore style tales and liked the film Darkness Falls give this one a read. Also check out the art below to see the style that Adlard brought to this comic.

Darkness Falls is a pretty good 2000’s Horror Movie that featured a very classic style monster that is perfect for cinema and literature, plus is great for one of our from Horror Comic To Horror Comic update as we countdown to Halloween. As I have said before, I am really shocked we never got a Darkness Falls 2, as I would have liked to see more of the Tooth Fairy and her killing ways. But for my next update it will be our big Halloween update and we will leave the Tooth Fairy and Darkness Falls behind as we will be heading toward Haddonfield, Illinois and witness the killing spree of Michael Myers as the film Halloween will be our topic! So until next time, read a Horror Comic or three, watch a Horror Movie or two and as always support your local Horror Host! Oh and remember you can’t kill the Boogeyman!

From Horror Movie To Horror Comic: Plague Of The Zombies

It’s almost Halloween and what better way to spend this spooky time of the year than with Hammer Horror and their 1966 undead romp Plague Of The Zombies! Hammer is much like Universal.  They both brought the world classic movie monsters, and each did it with their own touch and style that entertained and scared moviegoers for decades. With Titan Comics dropping the ball on their Hammer Horror comic line, I have decided to go back to and make a custom comic taken from the Hammer House Of Horror Magazine in order to cover a classic Hammer Horror for a From Horror Movie To Horror Comic update this Halloween season. So if you’re ready to enter the world of gothic horror, lets take a look at Plague Of The Zombies and all the horrors of voodoo it brings with it.

Before we travel to deep into the undead voodoo cursed world of Plague Of The Zombies, we should take a look at the killers that roam this film and comic. The main villain is the voodoo priest Squire Clive Hamilton who once lived in Haiti and learned the black art of voodoo and has used it on the villagers of his new hometown in England. He is able to use his evil ways and make the deaths seem like sickness and later make the dead rise and become his zombie slaves who will do his bidding. Hamilton himself uses his voodoo power to deal out death as well as fear to his targeted victims; he also has a short temper and lashes out when angry showing he is a man who can also use his hands to cause damage. Besides his zombies, Hamilton also has a batch of humans who also do his bidding. But Hamilton is just a man and this makes him have weakness like any other man as he can die by any means of violence and his temper and ego also leaves him open to mistakes. The zombies are slow moving grim messengers of terror who do not have a mind of their own leaving them to do the bidding of their master who mostly has them work for him in the mines near his house. But while they are mostly workers, they will also attack the living if given the commands to and can easily strike fear into the hearts of victims with their grey/greenish skin, white eyes, twisted cold faces and weird noises! They also move very quietly giving them the element of surprise and use their bare hands to choke the life out of the living. They can attack in packs or by themselves and when together they can over whelm their victims for an easy kill. Being undead does not mean they cannot be killed again as they can die by beheading, fire and damage to the voodoo dolls that made them into controllable zombies. While Hamilton and his zombies are not as brutal or bloodthirsty as some of the other killers we have looked at in a From Horror Movie To Horror Comic update, they still are a very deadly combo who have made their mark on those they crossed their paths.

So now that we have taken a look at Squire Clive Hamilton and his voodoo zombies we should take a look at the film they come from, Plague Of The Zombies, that was released at the peak of Hammer Horrors popularity before the 70’s and a change in the world of Horror Movies closed the company’s doors. The film’s plot will be taken from our pals at IMDB with me writing after a little about the films production and my connection and memories of the film. So if you’re ready to dive into the world of zombies powered by voodoo lets get to it.

Plague Of The Zombies (1966)

“Young workers are dying because of a mysterious epidemic in a little village in Cornwall. Doctor Thompson is helpless and asks professor James Forbes for help. The professor and his daughter Sylvia travel to Thomson. Terrible things happen soon, beyond imagination or reality. Dead people are seen near an old, unused mine. Late people seem to live suddenly. Professor Forbes presumes that black magic is involved and someone has extraordinary power. He doesn’t know how close he is: the dead become alive because of a magic voodoo-ritual, and so they must serve their master as mindless zombies…”

Plague Of The Zombies was released in 1966 as part of a double feature alongside “Dracula: Prince Of Darkness” and was a popular double feature at the cinemas. Peter Bryan handled the script with director John Gilling and James Bernard handling the score. The film went into production on July 28, 1965 and was filmed on the same sets as The Reptile and was a pretty normal shoot for Hammer. They also brought in such actors as Andre Morell, Diane Clare and Michael Ripper to lend their talents to the characters. The film was released to theaters in the U.K. on January 9, 1966 with the US release being only three days later. When released and still to this day, the film was well reviewed by fans and critics with many even going as far as saying this movie is the best Hammer has made. I know that many of my friends who really love classic Horror Movies have said that this is one of their favorites. The film was joined in 1966 by these selected other fright flicks Godzilla vs. The Sea Monster, Jesse James Meets Frankenstein’s Daughter, Queen Of Blood, Manos: Hands Of Fate and Billy the Kid Versus Dracula showing it was a fun year for fans who enjoyed spooky films at the cinema and drive-ins. Plague Of The Zombies is a great film and those who enjoy classic or British horror should give it a watch.

The first time I got to see this classic Hammer Horror movie was when it came out on VHS, rereleased by Anchor Bay. My brother Bryan bought it and we watched on one of our many all night Horror Movie marathons. I can remember that while the film was very slow much like most of Hammer’s films (wouldn’t have them any other way) it had a great atmosphere and over all creepy vibe that made me enjoy it and go and get the film on DVD when released. And over the years I have watched the film a handful of times on my own as well as with friends who were major fans of Hammer Horror like Chris Workman. This is also one of those films that I have recommended to friends of mine who have gotten into classic horror as I find that it’s a good one to introduce to fans of modern zombie films as this is one that pre-dates the godfather of all zombie films Night Of The Living Dead (1968) and was after the underrated White Zombie from 1932. So while Plague Of The Zombies is not the most popular film among the releases of Hammer, it is one that is a solid and creepy film that is sure to please fans of 60’s and early 70’s gothic horror films. If you have not seen it, do yourself a favor and track it down on VHS, DVD or Blu-Ray and give it a watch. I want to also say that this film is in my top 10 best Hammer Horror films! Plus need to say that the score done by James Bernard is great and well sounding and fits so well for this film.

So as you can see this aging Monster Kid has lots of respect for Plague Of The Zombies and Hammer Horror in general as I found it a great source of classic style monsters done with more blood, busty female cleavage, color and gothic atmosphere then before, plus they picked up vampires, werewolves, zombies and Frankenstein’s Monster after Universal had drifted away from that type of Horror and was more into the atomic age horror and giant insects. But before we get into this custom comic book I want to thank Juliet Fromholt for formatting the pages while we were on vacation at Monster Bash and Eric Shonborn for putting it all together to be printed! I also want to thank Amanda for printing this comic making this update possible. I want to also let you all know that I read and reviewed this comic while sitting in Calvary Cemetery to help add to the over all spooky mood of this comic experience. And now I need to remind you readers that I am grading this comic on a star scale of 1 to 4 and am looking for how well the comic stays to the source material, its entertainment value and its art and story. So if you’re ready, lets travel to the cemetery and see why voodoo and zombies do mix!

Plague Of The Zombies # 1  ***
Released in 1978    Cover Price 35p.   Top Sellers      # 1 of 1

Dr. Sir James Forbes and his daughter Sylvia are headed toward the small own of Tarleton on the request of one of his former students Peter who is the town’s acting doctor and is puzzled by the rash of unexplained deaths. While the father and daughter travel, they pass a fox hunting party and Sylvia gives them the wrong direction on purpose, causing the hunters to make a scene in town when they all arrive during a funeral even knocking over the casket and causing the body to roll out! The townspeople are not pleased and this of course angers the dead man’s brother who blames the young woman for causing the scene. Once at the home of Peter, they also see that his wife Alice seems to not be feeling well and Peter explains that for some reason people just keep dying and the cause is unknown and the townspeople will not help in finding out the reason. That night James and Peter hit up the local cemetery and find that the grave of the young man buried that morning is empty! Sylvia follows Alice into the woods as her friend is acting weird and is heading toward the old tin mine shafts, but before she can catch up with her friend Sylvia is kidnapped by the hunters she tricked and they take her back to the mansion home of Clive Hamilton the town’s squire who is not pleased at the behavior of his hired hands. Once back on the dark roads, Sylvia finds the body of her friend Alice as well as sees the zombie of the young man buried that morning! Peter is heartbroken over the death of his wife and even feels worse when he and James witness her rise from her grave and they are forced to chop off her head. Meanwhile Sylvia is visited by Clive who by “accident” scratches the young woman with his ring and this causes her to think about him all the time. James and Peter soon find out that Clive is a voodoo priest who is causing the deaths as he is making zombies to work for him in the tin mine shafts, and they go to his mansion to stop him. While inside the mansion, James fights with one of the hunters and during the fight a fire breaks out, meanwhile Sylvia in a trance is now in the grip of Clive who is going to sacrifice her to please his dark lords! But all ends well when the fire sets the voodoo dolls on fire that causes the zombie to be ablaze.  They turn on Clive who is eaten and burnt to death at the same time. In the end the town is safe, and James, Sylvia and Peter all walk away heroes.

I need to first start off by saying that Plague Of The Zombies is one of the Hammer Horror movies that lends itself really well to be a comic book adaptation and series, and Titan Comics really dropped the ball on not choosing this title to be a part of their very short lived Hammer Horror Comics line. The plot of this Horror Comic has a father and daughter going to a small town to try and help figure out why people are dying, only to uncover a sinister plot that involves voodoo and zombies! Our main hero is James Forbes, an old medical surgeon who wants nothing more than to solve why people are dying and why their graves are empty so close after being buried. He is strong minded and willed and even if he is old, he still will never give up until he solves it. Peter is a doctor who is also a former student of James and is baffled by the mystery of this town he now serves. He is a helpful hand but also is dealing with some bad stuff as his wife has fallen victim to death and being brought back from the dead. Sylvia Forbes is a good hearted person who cares about both humans and animals and becomes a sick pawn in this game of life and undead. And our villain is Clive Hamilton who acts as a caring member of the town even acting as the squire when in reality he is a voodoo priest who is using the town to mine tin in order to become rich and powerful and is killing people to bring back as zombies to do it. I think the fact he is a soulless murderer who allows greed to be his motivation behind taking a human life makes him a real bad guy. I do like the fact he gets what’s coming to him in the end as tons of zombies who are on fire swarm him ending his reign of terror once and for all. The comic has very little blood in it, but does have some gruesome deaths like a beheading and being burned alive. This comic adaptation while a quick read does capture the mood and spooky atmosphere of the film very well and brings a none-gory yet scary Horror Comic to readers who enjoy a classic style fright. The interior artwork is done by the team of Trevor Goring and Brian Bolland and is top-notch stuff and will remind you of artwork used in the Warren horror magazines. While this is a custom comic book, you can find this comic adaptation in the pages of “Hammer’s House Of Horror” and its worth tracking down if you like the film or just enjoy classic horror zombies. Check out the artwork below to see what the art style is and bask in its creepiness.

Hammer Horror will always be the bar just behind Universal Monsters when it comes to classic movie monsters, and they, just like Universal, deserve more comics based on their characters. I mean in a prefect Horror Comic world, we would have ongoing series based on Dracula, Frankenstein, Werewolves, Mummy and Creatures from both companies and would be must reads for old school Monster Kids. Well I hope that Plague Of The Zombies helped add to your countdown to Halloween as it was a fun one for me to cover for sure. For our next update we will take a look at another “From Horror Movie To Horror Comic” update about the 2003 monster movie Darkness Falls! So this dark night make sure you stay clear of your local abandoned mine as who knows what kind of zombies are lurking around looking for a new victim to become just like them. So until next time, read a Horror Comic or three, watch a horror movie or two and as always support your local Horror Host. See you readers and friend’s next update for a creepy good time with the Tooth Fairy.

From Horror Comic To Horror Movie: Killer Condom

The world of Horror in film and comics has all types of killers and monsters that make them up, from masked slasher killers to blood sucking vampires and everything in between. In this new update, we will be taking a look at a comic book that sparked an independent horror comedy movie that’s about a ravenous contraceptive condom monster! I will let that set in for a moment…and I am sure by now you know I am talking about the Troma film called Killer Condom.  This will be a From Horror Movie To Horror Comic that has a twist as it was not a movie first but was a comic that was turned into an independent Horror Movie. Here in the US, the film is better known as the comics were German and not really released here until the movie was released. So if your ready to dive into this From Horror Comic To Horror Movie update (see what I did here) lets practice some safe comic reading and explore the weird world of the Killer Condom.

It’s time to take a look at our monster killers that just so happen to be a bunch of condoms with teeth! The Killer Condoms are living organisms that do not have to eat to stay alive but do enjoy biting the privates off males. The Killer Condoms were created by a captive Professor who created them for an overly religious female doctor who thought she was doing God’s work by killing off people she viewed as impure. They are living organisms who attack males and sometime females when they least expect it. While they are a pack, they only mutilate their victims one at a time, and when they attack, they go for blood. The Killer Condoms look like regular condoms up until they turn killer and then they grow flexible razor sharp teeth, are slimy inside and turn from playful to blood thirsty crotch butchers in seconds. Killer Condoms use their teeth to chomp of their victim’s targeted area from private parts all the way to noses. They also can use the element of surprise in order to sneak attack as no one suspects a condom will kill! The weakness of the Killer Condoms is that while they do have a brain, they are not that smart and can be tricked. They also can be killed by gunshots and other manner of attacks humans can inflict on them. So while they mostly only chomp off private parts and are killable, the Killer Condoms are still a pack of evil little monsters who are a threat to mankind and who have a very wicked bite!

So as you can see, the Killer Condoms are true pint size terrors who have terrorized in the world of comics as well as film…and that brings us to the part of the update where we will need to take a look at the film that was made based on these little critters. I will get the film’s plot from our pals at IMDB, and I will write a little about the films production as well as my link to watching the film for the first time. So lets get to our look at Killer Condom in the world of cinema.

Killer Condom (1996)

“The plot takes place in New York, and in the present. In a Hotel called “Quicky” a professor blackmails a student of his into having sex with him. But when the professor puts on a condom, the carnivorous condom bites off his penis and disappears. Detective Mackaroni who gets the case thinks that the college girl just bit off her teacher’s penis! Mackaroni goes to the motel himself to check out the crime scene, in the lobby he finds a gigolo named Bill and he asks him to follow him to crime room, there the two men attempt to have sex when they are suddenly interrupted by the attack of a killer condom.”

Killer Condom was originally a comic book by artist Ralf Konig and in 1996 was turned into a Horror Comedy Movie that was a German production. The film had a fun and quick production and even had help from artist H.R. Giger as a consultant on the Killer Condom designs. In 1998 Troma was the US company to release it and promoted it at the Cannes Film Festival even having a man walking around in a Killer Condom costume. In fact the film was met with good reviews from critics as well as fans who praised the film for its humor. Plus the film got a very limited theatrical run and helped spread the dark strange world of Killer Condom to moviegoers. The film was directed by Martin Walz with Ralf Konig helping him on the screenplay, with actors Udo Samel, Iris Berben, Peter Lohmeyer and Meret Becker in roles. The film in 1996 was released alongside such other Horror Movies as Scream, Hellraiser: Bloodlines, Licantropo, Mary Reilly, Bad Moon, From Dusk Till Dawn, The Craft and Island Of Dr. Moreau to name a very few. While it might not be a household name when people think of classic Horror Movies, it is however a cult film that has made its mark in the world of cinema.

I can remember when Killer Condom came to VHS and DVD as I was very much into collecting Horror Movies and was a big fan of Troma, but the term Horror Comedy used to always scare me away from buying it and giving it a chance. When walking around Dayton Mall and going into stores like Suncoast and FYE with friends like Jason Gilmore and Josh Weinberg, we would see it on the shelf and would always just chuckle at the silly name, but none of us would ever pull the trigger on buying it. Believe it or not, just now in 2018 did I finally breakdown and buy the film on DVD off Ebay and watched it for the first time…and I must say I found it enjoyable. I know one other reason I had stayed away from it was because my pal Andy Copp had seen it and told me it was not very good so I took his word and skipped it. So what has been cool for me doing the update is that it’s my first time seeing the movie as well as reading the comics. One other thing I do remember as well is that at the time of its release, a windup toy of the Killer Condom was made.

So as you can see, Killer Condom is one of those cult films that when released was well reviewed by critics and has maintained a good following and fan base still to this day. So we are at the point of this update where we will be taken a look at the comic book that spawned the cult film and I want to thank Amazon for having both of these books in stock. I want to also remind you all that I grade these books on a star scale of 1 to 4 and am looking for how well the comic stays to the source material, its entertainment value and its art and story. So lets see what Killer Condom has is store for us in the world of Horror Comics.

Killer Condom   ***
Released in 1992     Cover Price $9.95     Ignitel Entertainment      # 1 of 2

A man returns home in New York to his wife and bratty kid after turning tricks on the street in order to get drug money, but something went wrong as the man who paid him for sex was in massive pain and next thing they both knew, his penis was detached and stuck inside the man! Once home he passes it out only for something to jump out of the toilet and attack him. Cut across town and a professor has taken one of his students to a sleazy hotel with the idea of sleeping with her in order for her to graduate. She gives in after the creep pushes her, and once he puts on a condom his penis explodes! The young woman is under arrest as they think she bit the penis off of her professor. Detective Luigi Mackeroni is on the case and heads to the same hotel taking a young man to the room to make love to when they witness a condom coming alive and biting off the right testicle of Mackeroni! His partner Sam doesn’t believe him about a Killer Condom and blames the young man for the attack, but once out of the hospital Mackeroni and the young man head to the hotel and set up a hidden camera in a room in hopes of capturing the Killer Condom. But while they wait in that room, the Killer Condom attacks in another! After the attack, the story gets into the press and Sam is pissed about it as he does not think the Killer Condom is real. More and more people are being attacked and having their private parts bitten off, and Mackeroni will not give up until he can stop the Killer Condom. While home Mackeroni takes a shower and gets a phone call from the young man who has fallen in love with the cop who now finds that the Killer Condom is alive and well in his own home looking to bite off his privates! After battling the Killer Condom and even losing one of his fingers, Mackeroni with the help of the young man is able to trick the Killer Condom into biting a gas hose and then throwing it out the widow and shooting it causing it to explode and ending its reign of terror in the city.

The comic and the movie, while similar in spots, are very much different, and oddly enough I think the movie does a better job of bringing the character Mackeroni to life and this is strange as the comic came first. The comic’s plot is about a sleazy hotel that is used by prostitutes and people wanting to remain under the radar to have sex at, and when many visiting males are having their privets bitten off, one Detective is called in to solve the case and finds that its all being done by a razor sharped teeth condom! Our hero is a snarky detective named Luigi Mackeroni who loves his cigarettes and loves his casual sex. Plus he is the only one in law enforcement who knows that a condom is really doing the mutilations. He is both unlikable and likable, and you find yourself cheering for him to get his revenge on the condom for ripping off his testicle. The side characters all fit their parts and do what they need to do to keep the plot going and add to the New York created for this story. The Killer Condom is a mean razor sharped teeth private part eating machine that has no remorse for his blood soaked deeds, plus it has no background on how or why a condom is now alive and a chomping machine. This horror comic does have lots of blood and gore but it’s all done in a cheesy cartoonish nature. It also has lots of sex and what’s funny is the art style reminds me of MAD Magazine who never would have done this style of raunchy. Ralf Konig was a one-man show on this comic as he did the art, cover and story and its all-good stuff. One thing I do want to stress is that hands down this comic is not for youngsters. It’s really an adult comedy horror comic that is really odd and packed with lots of themes that will make even adult readers squirm as private parts are being bitten off! Over all this was a fun comic, and I can’t wait to see the second book has in store for me.

Down To The Bone  **1/2
Released in 2011     Cover Price $14.95     Ignitel Entertainment     # 2 of 2

New York wakes up on New Years Day to find three dead bodies all connected to the gay club scene. Detective Luigi Mackeroni is asked to take the case, and he of course is not to pleased about it. Mackeroni arrives at one of the crime scenes where his captain informs him that he will be teaming with Officer Plumley and that the victims are only skeletons now and no blood, flesh or organs were found! So Mackeroni and Plumley set out to check out the crime scenes and get some leads about a gay porn star who is in town that one of the victims was trying to flirt with. Meanwhile a muscular stranger in leather is the one going around and having sex with men who are sucked into his crotch area and their bones are spit out of his mouth showing this massive and quiet stranger is indeed the killer. Mackeroni sends Plumley dressed in leather to the bar to interview the porn star who seems to be sad and not into his work as he feels people only want him for his body. Mackeroni and the porn star hit it off and hang out for the night and are about to make love when Plumley shows up and has a heated talk with Mackeroni. This allows the Billy the porn star to escape, and he or someone who looks like him is the killer who is really a weird looking mutant in a flesh skin costume! Mackeroni finds an old professor named Smirnoff who once made fake flesh and condoms. He and his Asian assistant are prime suspects for who made this killer Mutant and the Killer Condom! Mackeroni soon finds a hidden lab that has all the answers to his questions as he learns that Smirnoff has been kidnapped and forced by drugs to make a mutant monster who eats gay men and the Killer Condom who has a spawn in the lab as well! He also learns that a trusted female doctor who is really a crossdresser and the Asian assistant are part of a religious cult that forces these creations to be made to kill of all the impure. In the end Mackeroni and Plumley are able to kill the mad doctor and all her evil friends including the Killer Condom and save Smirnoff from his captors. Mackeroni is able to clear the name of Billy who quits porn and the two become close friends.

This second issue in the Killer Condom saga has Mackeroni on the case of a killer who is stripping the flesh off victims that turns around to be connected to the Killer Condom! In this issue, Mackeroni has lost his boyfriend as well as his drive to be a cop and is called once more to crack a weird case that is effecting the gay community. This time he is forced to work with a partner and finds new love when he meets a porn star named Billy. Just like before, he outsmarts his foes, saves the day and stops the plot that’s in place to kill many innocent people just because of their sexual orientation. His partner Officer Plumley is a straight laced guy who is forced on the case by the Chief and soon finds that he himself is attracted to men. He also saves Mackeroni twice in the final battle! Professor Smirnoff is a crazy old man who is addicted to berry jelly that has been laced with drugs and is a whiz at creating artificial flesh as well as strange creatures. The flesh-eating monster takes on the look of famous male porn stars and eats people in order to survive. He also spits an acid like venom and while a killer is not fully evil. The Killer Condom’s spawn is alive and well and is mad as hell and wants to attack and chomp on any privates he can find, but I should note he plays a very small part in the over all story. The evil crossdressing cult leader is crazy and wants to clean the Earth of the “impure” and when she gets hers in this comic, I was happy. The story this time around was only okay, and while entertaining, it dragged in spots and felt a little more crude for being crude’s sake. I will also say that I felt that Mackeroni also seemed a little off and not like he was in the first issue making it feel a little off. I did notice that elements of this comic were used in the film but much of it was cut out. The comic as well has blood, gore and lots of sex and is clearly not for kids. Once more, the art reminds me of MAD Magazine and the work of Don Martin. It is fun and silly and once more done by Ralf Konig who also wrote and did the cover. Over all the Killer Condom comics are a fun and silly read that helped spawn a goofy cult horror film. Check out the art below to see the style of Konig.

As you can see, the Killer Condom is one mean S-O-B, and while in the comics only two of them were ever made, in the movie several of them were in New York chomping away. But no matter the amount, Killer Condom is one Horror Movie baddie I would never want to meet! For our next update we are staying in New York but instead of looking at a Horror Movie, we will be taking a look at a Six Fingered Hand that hosted them and of course that must mean Chiller Theatre and another Horror Host Icon update! So until next time, watch a Horror Movie or two, read a Horror Comic or three and as always support your local Horror Host! See you next update for a real CHILLLLLEERRRR!

Anne Francis Stars In…Our Look At Forbidden Planet

Pop quiz time, Rotten Inkers! Can you name the ten films that are referred to in Rocky Horror Picture Show’s “Science Fiction Double Feature”? It’s okay, I’ll give you a minute to sing through it in your head. Done? Alright. Even if you didn’t get all of them, I can bet that one you did catch was in the chorus. Sing it with me, “Anne Francis stars in Forbidden Planet.” This musical exercise is my less than clever way to introduce today’s update, all about seminal science fiction film Forbidden Planet. I’m Juliet, occasional co-pilot here on Rotten Ink. As you may guessed by now, having read my prior contributions to Rotten Ink, although I have massive love and respect for the horror genre, my earliest and continuing love is for science fiction. If Matt’s the Monster Kid of our house, I’m the spaceships and robots kid for sure. So it’s perfect that we’re about to dive into a film, and the comic books adaptations of it, that not only feature spaceships and robots but really influenced all of the spaceship and robot things to follow it. We’ll start with some history.

Forbidden Planet was released in 1956 by MGM and was shot in Eastmancolor and CinemaScope. It was written by Irving Block and Allen Adler (who was blacklisted from Hollywood during the second part of the Red Scare), directed by Fred M. Wilcox and stars Walter Pidgeon, Anne Francis and Leslie Nielsen. It was the first science fiction film to take place entirely on an interstellar planet that was far from Earth, and the first to show humans traveling faster than the speed of light in a ship of their own creation. These are two of the many reasons Gene Rodenberry names Forbidden Planet as one of his main inspirations for Star Trek. You can also see its visual and design influence on the Star Wars franchise. And remember, this film was released 13 years before the moon landing and five years before cosmonaut Yuri Gagarin became the first human being to travel to space.

Another first for Forbidden Planet is its score. It was the film to have an entirely electronic music score, though at the time, it was referred to as “electronic tonalities” to avoid music guild fees. The composers, Bebe and Louis Barron were discovered accidentally when an MGM producer was visiting New York and saw them perform at a beatnik club and then hired them on the spot to create music for Forbidden Planet. Many people think that the pre-Moog synthesizer electronic drones were created with a theremin, similar to part of the score for Hitchcock’s Spellbound, but the effect was actually created by electronic circuits and modulators that Louis Barron built himself. For this and their work, Heavenly Menagerie, which is considered the first piece of electronic music committed to magnetic tape, the Barrons are considered pioneers of electronic music.

tumblr_om0c7qOxTL1v61b0eo4_500.gif

Robby the Robot is notable for both his design and characterization. Robby’s design was developed from initial ideas and sketches by MGM production designer Arnold “Buddy” Gillespie, art director Arthur Lonergan, and writer Irving Block. The concepts were refined by production illustrator Mentor Huebner and perfected by MGM staff mechanical designer Robert Kinoshita, and Robby was built by the prop department. For his time, Robby sported one of the most complex robot designs moviegoers had ever seen, comparable in design only to Maria, the Menschmaschine in Fritz Lang’s Metropolis (another of my favorite robot films). MGM spent a reported $125,000 on Robbie, which with inflation is about $1.1 million today, and compared to the overall budget of Forbidden Planet, he remains of the one most of expensive single props compared to the overall budget of the film he’s in. The suit itself is unique; made of three pieces that completely surrounded the actor and contained all of Robby’s electronics, it could be filmed from any angle without a reset unlike Gort from The Day The Earth Stood Still, whose suit had to be reset for different angles to cover special fastenings that allowed for movement.

As a character, Robby was one of the first science fiction robots to have a distinct personality and to be considered an integral supporting character in his film. Again, Maria from Metropolis and Gort are good precursor comparisons. Contrary to Forbidden Planet’s poster and much of the advertising leading up to the film, Robby isn’t the villain, and in fact, follows a version of Asimov’s Three Laws of Robotics throughout the film including (and most important to the climax of the story), the fact that he cannot kill a human being. He is portrayed as physically strong, benevolent, extremely loyal to Alta and Dr. Morbius, and, at times, he’s a bit sassy.

forbidden_art1Robby Anne Francis9115ptDPsDL._SL1500_.jpg

It’s unknown whether Robby takes his name from Fantastic Island’s Robbie – a mechanical decoy used by Doc Savage or from the Asimov story of the same name, which was published in 1940. However, after Forbidden Planet was released, Robby became a pop culture icon. He had another starring film role in MGM’s 1957 movie The Invisible Boy and makes a cameo in Gremlins. He appeared in many TV shows, including the The Addams Family, The Man From U.N.C.L.E. and Mork and Mindy. He and and several props from Forbidden Planet were used in the “Uncle Sam” episode of The Twilight Zone (the original Rod Serling version), but Robby donned an alternate head for that appearance, based on one of the original, rejected models created for Forbidden Planet. Robby also appeared in several episodes of Lost in Space, in which he battled Robot B-9 (aka Robot), who he’s sometimes confused for. In 2004, Robby was inducted into the Robot Hall of Fame.

If you haven’t seen Forbidden Planet, by now you’re probably wondering what the heck it’s about. Based on Shakespeare’s The Tempest, the story follows the crew of the starship C-57D, lead by Commander Adams, as they travel to Altair IV with the goal of discovering what happened to an Earth expedition sent to the planet twenty years prior. When they arrive on the planet, they find its only inhabitants are Dr. Morbius, his beautiful daughter Altaira, and Robby, their robot servant. But something sinister lurks on the planet, and Dr. Morbius is keen to keep it a secret. I’ll leave the story at that for now as we’ll dive further into it when we review Innovation’s comic book adaptation of the film.

As I mentioned above, I am a lifelong scifi fan, and I’m particularly fond of space stories and robot stories so it wasn’t hard to fall in love with Forbidden Planet. I first saw it when I was around thirteen years old. In 1996, MGM re-released the film on VHS and laserdisc with a special widescreen presentation for its 40th anniversary. My dad got the VHS as a gift, and one day I decided to check it out. At the time, I didn’t know about Forbidden Planet’s place in science fiction history, how really important it was the genre and how it influenced the creators of many of the things I already loved. What I knew back then was that it was a great movie. It’s lush, beautiful and puts you completely into its world. All of the characters are smart, including Altaira who is naive about certain things, having never lived with other humans, but can handle her own with the ship’s crew. Robby has such personality, and his look, as well as that of the other props, is yet another argument for practical effects and design over CGI. The story gets at all of the great science fiction questions of forbidden knowledge and its power, the ethics of being an outsider in someone else’s world and how far artificial intelligence should be allowed to go without human intervention. Forbidden Planet instantly took a space in my top five all time movies where it’s remained ever since.

300px-ForbiddenPlanet1

After Forbidden Planet was released, Robby the Robot became a pop culture icon and a favorite for collectors of science fiction merchandise. He’s been a toy, a Funko pop figure, a talking bank, and a bobble head, among other things (I own all of those, by the way). There are also model kits for both Robby and the ship. The iconic Forbidden Planet poster (a reproduction of which hangs above my bed) has made its way onto lunch boxes, t-shirts, and variety of print formats. The film itself has been released on VHS, laserdisc, DVD and BluRay, and the soundtrack is available on CD and both vintage and new edition vinyl.

In 1992, Innovation Comics, in association with Turner Entertainment, released a four part comic book adaptation of Forbidden Planet.  These comics are the subject of today’s update, and Robby reminds us that here are at Rotten Ink, comics are graded on a scale of 1 to 4 stars and that we are looking for how well the comic stays to the source material, its entertainment value and its art and story. So let’s prep to board our spacecraft and journey to the Forbidden Planet.

863153

Forbidden Planet  # 1   ****
Released in 1992      Cover Price $2.50      Innovation     # 1 of 4

Commander J.J. Adams and his crew have been traveling the vast unknown of space for over a year on a mission to find out what happened to the crew of the spaceship Bellerophon, sent to Altair 4 twenty years prior.  Upon approaching the planet’s orbit, Adams’ ship receives a message not to land, but they do so anyway.  At first the planet appears to have no trace of any survivors of the Bellerophon, but the crew is eventually greeted by Robby the Robot, who takes Adams and his command crew, which includes Doc Ostrow, to meet his master Dr. Morbius.  Morbius is cautious, if not downright suspicious of the newcomers, informing them that, while he is the only survivor from the Bellerophon, he is not in need of rescue.  The issue ends as Adams and his companions meet Altaira, Morbius’ nineteen year old daughter who was born on the planet.

This first issue, titled Relief Ship, is a really nice start to our adaptation of Forbidden Planet.  David Campiti’s script follows the beginning of the film faithfully and closely, so you don’t miss anything that’s been shortened or adapted to work in comics.  Daerick Gröss’ painted artwork really captures the distinct look and feel of the film, and the way the panels are structured loosely on larger, more atmospheric backgrounds is really interesting.  I’ve not seen that done in other books.  My only hesitation is that occasionally Innovation’s adaptation books get too artsy and lose the story completely, and/or worse, the art slows down the pacing of the storytelling and the title is cancelled before we get a complete adaptations (I’m looking at you, Anne Rice’s The Witching Hour).  So I’m proceeding cautiously because I don’t want that to happen with Forbidden Planet.  Hopefully the association with Turner for the publishing helped move things along a bit, and we’ll get the full story in these four issues.  So I guess it’s a good time to move on to Issue 2 and see if that’s the case.

863189

Forbidden Planet # 2 ***
Released in 1992      Cover Price $2.50      Innovation     # 2 of 4

Commander Adams and crew learn more about Altaira, Dr. Morbius’ daughter who we (and they) met at the end of issue #1.  Altaira is nineteen and was born on the planet.  Until this point, she had never met a human other than her father, and that combined with mysterious properties of the planet have somehow given her the ability to communicate with the animals residing on Altair 4.  This begins to change, however, as Altaira becomes intrigued by the crew of young men currently stationed on her planet, in particular Commander Adams, who at first spurns her rather naive advances but is ultimately unable to resist her charms.  Dr. Morbius is concerned for his daughter and for what her newly awakened passions might mean for all of their fate.

This is another great adaptation issue that, although it moves a few things around from the movie for a better page flow, once again stays faithful to the film’s story.  This issue, called The Innocence of Altaira, focuses on Morbius’ daughter.  This particular storyline is really interesting in both the film and the comic, and takes a scifi approach to the age-old story arc about the loss of innocence through the gaining of knowledge, either literal (which we’ll see more of soon) or sexual…or both.  Although she isn’t drawn to look like Ann Francis, the comic book version of Altaira is faithful to the film version, both highly intelligent and a bit naive and with a sassy relationship with Robby.  Once again the painted artwork is fantastic and full of the vibrant colors we expect from this portion of the film.  We’re at the halfway mark for this comic book series, and I think, if done correctly, based on our current pacing we could get the full film by the end of issue 4.  So onward, to Issue 3.

1077105.jpg

Forbidden Planet # 3 ***
Released in 1992      Cover Price $2.50      Innovation     # 3 of 4

It’s time for Dr. Morbius to finally explain the truth to Commander Adams and Doc Ostrow, that Altair 4 does, as they’ve been suspecting, hold a dark secret.  Taking them through a passageway in his office, Dr. Morbius leads the spacemen into an old laboratory belonging to the Krell, a long dead race of super beings who inhabited Altair 4 in the planet’s ancient past.  The Krell were highly advanced and had managed to harness the power of their own minds to build a great civilization and in turn use the machines they created to further enhance their minds. But in doing so, they unlocked the Id, a powerful monster born from their own thoughts that was eventually responsible for the downfall of the Krell and the deaths of the crew of the Bellerophon.  Morbius is concerned that through his own actions and the arrival of Adams and his crew, the monster has once again awakened and will destroy them all.

In this issue we get the Krell mythology and the origin of the Id monster, and again, although a few things were slightly rearranged for the comic, by and large this reveal worked in the comic just like it did in the film.  The one minor place where I felt like the comic felt a little short, however, is that I don’t feel like the artwork has the same impact as the graphics in the film when it came to depicting just how vast, advanced and intricate the Krell technology was.  Don’t get me wrong, it beautiful artwork, but in the film, you could really feel the size and scope based on the both the design and the camera set up.  But don’t let my complaints fool you into thinking this isn’t a great comic with great artwork, it really is – and, unless something goes completely haywire next issue, it looks like we are poised to get the whole film adaptation in the scheduled four issues.  So let’s get to it!

627819.jpg

Forbidden Planet # 4 ****
Released in 1993      Cover Price $2.50      Innovation     # 4 of 4

With the secrets of the Krell revealed, the Monster of the Id is growing stronger and threatens to destroy all of Altair 4.  Commander Adams and his crew are left with a choice: to flee the planet or to stay and fight.  Morbius, knowing that his own dabbling in Krell technology is in part to blame for the monster, encourages them to leave and to take Altaira with them.  As they try to make their escape, the monster attacks and Robby is unable to defend them because of a protocol that prevents him from harming Morbius or his family — you see, the Morbius has become part of the collective Id from which the monster is formed. So all hope is lost for the doctor.  Altaira and the recovered Robby agree to flee with Adams and his crew, and the ship blasts off into space as the planet implodes.

And there we have the epic conclusion to the comic book adaptation of Forbidden Planet, and yes, Innovation made it happen in the scheduled four issues.  This final issue holds the bulk of the action as our heroes must escape Altair 4 as the Id Monster grows stronger threatening to destroy them and the entire planet.  In this issue we see Altaira making the difficult choice to leave her father and Morbius having to reckon with the consequences of the damage he’s caused.  We also see Robby put to the test in a great example of Asimov’s Laws of Robotics when he cannot kill the monster because it and Dr. Morbius have become one in the same.  The was a great conclusion to a great comic book adaptation of the film.  From the script to the artwork, everything was done with care and respect for the source material which makes it a great read for fans and newcomers alike.  Take a look below at some of Daerick Gröss’ artwork.

ForbiddenPlanetSccreenShot3ForbiddenPlanetScreenShot2ForbiddenPlanet_ScreenShot1

Often comic book adaptations of films are really hit or miss, but Innovation’s Forbidden Planet is definitely a hit for the casual or diehard fan.  Be sure to track this one down and check it out.  For our next update, we’re leaving outer space and landing back in the U.S.A. for Rotten Ink’s annual Fourth of July update wherein Matt will return to once again look at a title with a patriotic theme.  This time around he’s going with a classic, and I do mean classic – a reprint of the very first issue of Captain America.  So get your grill out and your sparklers ready (though keep them away from comic books for safety’s sake!) and get ready for our next update here on Rotten Ink.Captain America Logo 00